Zusammenfassung der Ressource
Holborne - Pavane
and Galliard
- Structure
- Through composed
ABC - tri-partite
- Each section is repeated
- Each strain concludes with a perfect cadence
- Rhythm and Meter
- Pavan - duple
- Galliard - triple
- Rhythmic patterns
rarely repeated
- Rhythms of the two movements are considerably different
- Melody
- Melodic interest is shared
between instruments
- Conjunct - particularly in first viol -
only three cases of disjunct intervals
- No interval wider than a perfect 5th
- Instrumentation
- Consort music - written for 5 instruments
- Can be played on any 5 instruments
- For amateur musicians
- Viols - two trebles, one
tenor and two basses
- Texture
- Five part polyphonic
- Imitation between parts
- The five instruments keep their own tier within texture
- Harmony
- Harmony is created by polyphonic movement
- Only at cadence points there is
a sense of harmonic structure
- The music is linear opposed to vertical
- harmony is less important than melody
- Tonality
- The key of the music changes regularly
- Diatonic D in the pavane
- A minor/major in the galliard
- Composed towards the end of the
renaissance when the modal system
was being replaced by scales