Zusammenfassung der Ressource
THEMES WITHIN
WUTHERING HEIGHTS
- REVENGE
- Predominant Theme throughout
the novel
- When H.C cannot have the woman he loves, he
turns to tormenting his childhood tormenter
- Hindley never refused a
chance to humiliate H.C
- So as vengeance H.C seeks control
of the Heights and the Grange
- He also seeks to destroy Hindley
- Vengeance is made easier for H.C
because Hindley drinks and gambles
- Revenge is a major motivator for H.C
- And he succeeds on his
quest for vengeance
- Though he admits by the end of the novel that
his quest for vengeance has lost its thrill
- Not everyone is bitter though
- Despite his degredation Hareton rises
above his abuse and is a decent person
- LOVE
- H.C and Cath1 obviously have a
transcendent romantic connection
- Cath1's love for Edgar is tied to her desire to
become 'the greatest woman of the neighborhood'
- So much that their love has
hardly any romance to it
- However Cath1 is so hateful of H.C societal position that
she questions his capacity to love early on the novel
- H.C and Cath1 impassioned affection connects
them from their childhood to the afterlife
- All of the other examples of love – or, more precisely, marriage
– are diminished in comparison
- Except Cath2 and Hareton who enjoy a rare
experience of genuine love
- Bronte explores many different types of
love (Familial, Platonic, Romantic, Erotic
- But mystical love transcends them all
- FAMILY
- Families in WH are a source of violence,
alienation, jealousy, and greed.
- As in opposed
to comfort
- The events that transpire in the novel can be
seen as a result of H.C's addition to the family
- H.C is perhaps the illegitimate
son of Mr Earnshaw
- As H.C is the name of a child
that died in infancy
- However H.C is never
christened as an Earnshaw
- Most of the primary characters in the novels
are either Linton/Earnshaw, or both
- Except H.C, Nellie, Lockwood
- H.C is neither he gets revenge by taking everything
that belongs to the Earnshaws and Lintons
- However family recovers in the end as
Hareton becomes owner of the Heights
- Whose relative and namesake(?)
built the Heights in 1500
- The gothic aspect is also emphasised
as her lovers are related
- She brings them together
because they are related
- SUPERNATURAL
- The SPN completely permeates the novel
- When the ghost of Cath1 tries to enter the
Heights, Lockwood curiosity is piqued
- The people, setting, environment are
all infused with SPN natural elements
- From the outset, H.C is teased for being a dark
advocate of the SPN - Nellie dubs him 'imp of Satan'
- Nellie later on in the novel contemplates
whether he is a ghoul or vampire
- The novel ends with the suggestion that
H.C and Cath1 will haunt the moors forever
- The Moors, even the local village all seems
to be touched by something ominous
- Including the local Chapel
- Bronte complicates the gothic genre by making
H.C a very complex and multi-faceted character
- SUFFERING
- Nearly everyone in the novel suffers
from physical or emotion trauma
- Some die from it
- H.C avoids physical illness his love for
Cath1 leads to the suffering of others
- However he seems to
enjoy suffereing
- Pleads for Cath1's ghost to haunt him
- No one really wants to take responsibility for the misery
that results from his or her own foolish decisions
- Including Isabella
- H.C and Cath1' s suffering
surpasses the others
- As they still blame each other
- Suffering is central to Catherine
and Heathcliff's expression of love
- Without their misery, their love would
not be provocative to the readers
- SOCIETY AND CLASS
- Despite the setting, both families
abide by the rules of society
- Brontë lets us know through Catherine's aspirations to marry
Edgar Linton that Thrushcross Grange is superior
- Both the Lintons and the
Earnshaws are middleclass
- But marriage is still the only
way Cath1 can better herself
- 'Did it never strike you that if Heathcliff and I
married, we should be beggars?'
- Being an orphan with no family ties and no land,
Heathcliff is the lowest part of society
- Hindley denies Heathcliff an education implies that
he is trying to force him to become a servant
- It makes sense that Heathcliff's revenge is tied
directly to the novel's class issues
- Heathcliff seeks to punish Hindley's son, Hareton, by
keeping him in a low station and denying him an education
- Heathcliff threatens Hindley's status as heir to the
Earnshaw fortune.status as heir to the Earnshaw fortune.
- However ,ultimately Hindley's own
behavior that loses him his family home.
- BETRAYAL
- H.C frames Cath1's betrayal dishonesty to herself
- Isabella betrays Cath1 and Ed's
trust concerning H.C
- Ed betrays family loyalty
by disowning her
- Cath2 betrays her father
by leaving the Grange
- Self liberation is more important to characters than abiding to loyalty
- Like REVENGE, it drives the plot forward
- If Mr Earnshaw had not brought H.C the W.H
- He never would have violated
the families boundaries
- Or betrayed his wife
- Although Cath1 marries Ed, she does
not see it as betraying her love for H.C
- However H.C does
- OTHERNESS
- Heathcliff is made to feel like an
outsider by his own adoptive family
- Fuels his desire for revenge
- It is never clear where
H.C originates
- He is 'found' in Liverpool, a port City
where immigrants entered England
- 'Imp of Satan'
- H.C referred to as a gipsey - SPN
- Dichotomy of H.C dark complexion
- And Ed's fair skin and features
- H.C's otherness may explain Cath1
and Isabella's attraction to him
- 'We don't in general take to foreigners here...' Nelly to Lockwood