Zusammenfassung der Ressource
And The Glory Of The Lord
- Tempo
- Allegro- Fast, sounds joyful
- Last few bars Adagio to
create grand ending
- Tonality
- Begins A Major
- Change to E Major
(dominant of A Major) in
bar 22
- Changes back to A Major, E Major passed
through then B Major introduced
- Melody
- Motif A ends with notes
of ascending A Major
scale
- Motif B is smooth,
there is a sequence
- Motif C repeats notes
within E and A
- Motif D is one pitch
(like a chant)
- Rhythm
- Motif A has simple rhythm
- Motif B has dotted rhythm
- Motif C has crotchet,
quaver, quaver, crotchet rhythm
- Motif D has long dotted crotchets
to express seriousness
- Hemiolas used
bar 9-10 at cadence
- Pause before last
phrase for effectiveness
- Texture
- Motif A sang by Altos
then whole choir (homophonic)
- Contrast homophonic texture when tenors sing
Motif A and others continue with Motif B
- Different combination of voices used-
Sopranos singing alone exposes
highest note A
- Ends homophonic- sounds grand
- Dynamics
- Instruments didn't have great range of
dynamics at this time
- Forte and Piano are used
- Instruments
- Voice
- String Orchestra
- Cello
- Chamber Organ