Zusammenfassung der Ressource
Genre & Gender in TV narratives
- Feminine Narratives
- expose contradictions within patriarchy
- status quo in constant state of disruption
- address viewers whose gender
interest denied by dominant ideology
- allows resistive readings
- pleasure ongoing
- Masculine Narratives
- gap between ideological construction of
masculinity and social experience of majority of men
- excessive displays of masculinity
- pleasure centres on climax, restore equilibrium
- need for constant re-achievement of masculinity
- negotiation with dominant ideology
- Soap Opera
- Disruption
- never in state of equilibrium
- Deferment
- complex obstacles between desire and fulfilment
- Sexuality, empowerment
(Davies 1984)
- women's body is a weapon against men
- women's sexuality is heard, spoken
- pleasure is in how event occurs
rather than in events themselves
- seduction & emotion
- men & women = equal
- men shown as caring, emotional
- Villain: macho, assertive
- Villainess: pregnancy, sexuality are power
- Structure
- closure at end of each episode
- single plot, lead characters
- compress time (not 'real' time)
- women are victims, not professionals, powerful
- professional, public setting
- sensitivity is a threat to masculinity
- Genre = classification system
grouping works by similarity
- text belongs to one or more genres
- change/evolve over time
- Mobility & Hybridity
- shifting boundaries
- genre transformation always
develops from other genres
- ideological (different world view)
- economical (new audiences)
- experimentation
- desire for originality
- Problems
- genre is an abstract conception (Fiske)
- merging media & genre (cartoons)
- themes: any theme in any genre
- male/female representation remain embedded in
human mind & passed onto next generations