Zusammenfassung der Ressource
All My Sons Character Analysis
- Joe Keller
- Began his career in a 'machine
shop'
- Business man, self-made man
- Materialistic
- Clues, reads 'wants' ads, items in garden
- Likes privacy
- Garden furniture hints otherwise
- Proud
- 'nicely painted', 'tight and comfortable'
- Keeps world at bay
- Not interested in the world, shown
by not reading news section in a
newspaper
- Well off
- 'A man among men'
- He stands out
- Embodies American ideal
- Family man
- Devoted to his family
- Secluded garden
- 'poplars cut off view', closely planted poplars
- Hiding something
- Pride
- Content with home
- Protective of family
- Uneducated
- Not born into money, earnt it
- Speaks in small sentences
- Informal
- Non-gramatical
- One stupid mistake brings him crashing down
- Commits suicide
- Questions American ideal
- Individual
- He represents the American ideal
- Ordinary man
- Respected
- Big
- High status
- Good talker
- Even though his neighbours know
what he's done, they still like him
- Sociable
- Doesn't move with time
- Late 50's
- Comes across as likable and
friendly but he is willing to bully
or psychologically overpower
others to get his way and
threatens physical violence
- Throughout the
play he becomes
more greedy and
selfish and this
leads to his
suicide
- Lacks a true
understanding of
those outside his
family
- Tragic hero
- His tragic flaws that destroy his
family and define him
- Drive to succeed no matter the cost
- Failure to accept responsibility for his actions
- Punished by the loss of his two
sons (one literally, the other
figuratively), disintegration of
his family and finally his life
- Wears mask of a strong man but
underneath he is weak and this leads
to his death
- His interactions in act 1 with Jim and Frank lead us to
believe his comfortable position in life but as he spoke
with his family, they exposed his negative aspects and
the pressure on him
- As the shop incident unravels his confidence and self-assurance evaporate
- When George arrives he panics and to Chris' idea of him
- In these situations, it is Kate that calms him
- he instinctively reacts with a
burst of anger which is
directed to those around him
- e.g. When Kate force him to remember himself, he 'in hopeless fury,
looks at her, turns around, goes up the porch and into the house,
slamming screen door violently behind him' act 1 pg 40
- However when directly confronting George, his confidence
increases and he speaks persuasively mainly because of his
overpowering charisma
- e.g. in act 2 pg 62 when he fills the stage with his presence and
briefly convinces George of his innocence though as he
become out of control of the situation, his confidence turns
into bullying and yelling as he order Kate 'You heard me. Now
you know what to tell him' Act 3 pg 77
- Ethical dilemma
- Kate Keller
- Ruling power of family
- Both Chris and Keller defer to her
- Accomplice in Keller's deception and
equally committed to keeping Keller's
secret
- Prevents Chris from spilling the beans
- Obsessive belief that Larry will return
- Keller's jokes is far more apt than he
realises: 'I wear the pants and she beats
me with the belt' Act 2 pg. 62
- Until the end of act 1, she is defined by her illness and emotional instability
- Though she still manages to control people
- Her psychological fragility
dominates the other characters
perception of her
- Other characters try to
protect her from news that
might upset he
- Uses to manipulate Chris and Keller
- e.g. She declares 'if he's not coming
back, then I'll kill myself!' Act 1 pg 22
forcing Chris and Keller to support her
belief of Larry being alive
- She often dreams of Larry
and wanders about the house
a night
- She is highly excitable, nervous and
often complains of headaches
- Has a virtually unshakeable belief
that by the power of her mind, she
can keep Larry alive
- Her dreams of Larry show us as
readers just how she feels towards
Larry's death
- 'He was so real I could reach out and touch
him. And suddenly he started to fall. And
crying to me ... Mom, Mom! I could hear him
like he was in the room. Mom! ... it was his
voice! If I could touch him I knew I could stop
him, if only -' Act 1 pg 20
- In her dream, Larry too believe she can stop him from dying
- For her, everyone must
believe that Larry is alive to
ensure that he is so when
doubt of this is expressed by
another character she reacts
with irrational anger
- The contrast between her control over
Keller and the lack of control of herself
are shown in the stage directions
- It is her lapse in maintaining the fictive account of the
shop incident that undermines their (her and Keller)
and leads to the decisive confrontation between Chris
and Keller
- Sympathetic
- Even though she shares the blame
for trying to conceal the shop
incident
- Her interactions with
George in act 2 shows
she is genuinely caring
and has a maternal
aspect to her that hasn't
yet been seen
- This aspect of her personality is only seen with Chris at the end of the play
- Her grief over the death of her
other son Larry had left her unable
to express her love to her surviving
son
- Shows genuine remorse to her
sons' generation as they were
subjected to such brutality
through the war
- Her regret demonstrates that
she feels maternal
responsibilities for all the
young people that had to
suffer
- Miller emphasises this aspect
of her personality by referring
to her as MOTHER instead of
KATE in the stage directions
- However at the same time we are lead to see that she
has committed the same crime of selfishness as
Keller
- Chris finds fault in his mother and says
'You can be better! Once and for all you
can know there's a universe of people
outside and you're responsible to it, and
unless you know that, you threw away
your son because that's why he died' act 3
pg 84
- Chris disapproves of his mother
for supporting his fathers
deception
- Her selfishness extends to her role as a mother, as far as Chris is
concerned, as she choses to alienate her surviving son rather than
accept the death of Larry; a gross violation of her maternal
responsibilities
- At the end of the plat she acknowledges the she did to Chris in
favouring her dead son, Larry
- Role in the shop incident is never explained
- Given the control she has over Keller in the play, maybe she
prompted Keller's action at the time of the crucial phone call
- Chris Keller
- Faced with difficult question
of whether he should support
his father (and his family) or he
has a greater responsibility to
society
- Characters in the play perceive him as upright,
honest and uncompliacted
- Not accurate evaluation as he has a strong sense of
morality but driven by more complex inclinations that
other characters fail to see
- His dissatisfaction of life is partly due to what he
perceives as limits that others have put on him by their
low evaluation of his intelligence and ambition
- This begins from his first appearance on stage as his words
emphasise the difference between his aspirations and what
others think of him; Keller says 'You're always reading the book
section and you never buy a book.' Act 1 pg 11
- His father's response to Chris' interest, even though joking,
prompts Chris to downplay his desire for intellectual challenge
- When Keller wants to rename the plant to include him, Keller
assumes his son is 'ashamed of the money' Act 1 pg 38; this is true
but Chris also wants to live a different life, uninfluenced by
feelings of shame over the unclear circumstances of the shop
incident
- His father fails to
understand that Chris
may want change not
only to escape but to
gain a larger experience
of life
- Believes that social responsibility is a moral imperative
- Has this view partly from when he took part in
ww2 and the horrific things he saw and
experienced
- Time as a soldier has made him dislike violence so when he
was mad at George, he was able to supress his violence
however he wasn't when he confronted Keller over the shop
incident; after he hits him, he weeps showing his conflicting
emotions
- In act 3, when confronted by his father's guilt, he declares that his attitude
to the world has changed as it is no longer possible to have the utopian
idea of social responsibilities. He reacts by claiming that the world is
inhumane and that the morality he believed defined human beings was a
misconception.
- Chris equates practicality (that he blames his
mother for giving him as he says 'You made me
practical' act 3 pg 80) with selfishness and a
cold-hearted disregard for others
- He claims to have come to terms with people
who are similar minded to his father, who are
driven by self-interest, are those who are
succeed in society
- At the end of the play, his belief in the importance of social responsibility, and his experiences from the
war, overpower his attempts at dispassionate self-interest. Hearing Larrys letter proves to him that his
fathers decision was an anomaly andshows just how society shouldn't function
- He tells his mother 'It's not enough to be sorry. Larry didn't kill himself to make you and Dad sorry.' Act 3 pg 84
- He initially blames himself for his fathers
suicide, he has overcome his ethical crisis
and held to his beliefs
- Ann Deever
- Struggles with other people's perceptions and expectations of her
- Assumptions that she has put her life on hold to
wait for her one true love to return (Larry), and
supports her husband no matter his criminal
convictions
- Refuses to conform to roles
of model lover and
daughter
- Shows strength and independence e.g. she is strong
when settling her marriage with Chris; does not
accept Kate's persuasion nor Sue's agression
- Through act 1, she overcomes her
discomfort at confronting the past and
this is when we see her independence
come through
- Returning causes her to confront her fathers 'criminality' and she
challenges the identity she left behind; this is forced on her as she
tries to not talk about her father when she brings him up in
conversations, she clearly rejects him 'Father or no father, there's
only one way to look at him. He knowingly shipped out parts that
would crash an aeroplane' act 1 pg 31
- Principle overrules her family relationship
- She is defiant towards Kate
- In act 1, Kate repeatedly try's to get her to say that she
is waiting for Larry ; 'There are just a few things you
don't know. All of you. And i'll tell you one of them,
Annie. Deep, deep in your heart you're always waiting
for him' act 1 pg 27 and Ann replies resolutely with 'No,
Kate'
- After this, Kate kept implicitly encouraging her that she should leave
- She is willing to sacrifice her relationship with Kate in order to be with Chris
- She has got Chris to tell his mother about their marriage but he keeps on putting it off
- In act 2, when her
brother arrives, she is
forceful and mothering
- She shows concern about his disorderly appearance and agitated manner
- George Deever
- Jim and Sue Bayliss
- Frank and Lydia Lubey