Zusammenfassung der Ressource
AOS 4 - World
Music
- Skye Waulking Song
- Instrumentation
- Folk Instruments
- Violin
- Tremolo in Intro
- Accordion
- Uillean Pipes
- Bouzouki
- Modern Instruments
- Drum Kit
- Bass Guitar
- Wurlitzer Piano
- Synthesiser
- Structure
- Section 1
- Focus on Singer
- Traditional, Simple Beat
- E Minor, Alternating
Between Em and G
- Quiet, Calm, Subdued
- Section 2
- Harmonised
Backing Vocals
- Pipe Solo -
Heterophonic
- Full Rhythm Section
- Louder
- In G major, Relative
Major of Em
- Chord Sequences
- Intro to Verse 3
- Em - G
- Verse4 to 7
- C - G - Em - G
- Verse 7 Only, then Back
to Previous
- Am7 - Em - Em - G
- Outro
- C - G
- Lyrics
- Scots Gaelic
- Nonsense Lyrics
- Words Taken from a Lament
- Features
- 12/8 Time Signature
- Compound Time
- Gaelic Language
- Rag Desh
- Instrumentation
- Anoushka Shankar
- Melody
- Sitar
- Tala
- Tabla
- Steve Gorn and Benjy Wertheimer
- Melody
- Bansuri
- Esraj
- Drone
- Tambura
- Tala
- Tabla
- Chiranji Lal Tanwar
- Melody
- Male Voice
- Sarangi
- Sarod
- Drone
- Tambura
- Tala
- Pakhawaj
- Cymbals
- Tabla
- Use of Rag
- Rag Desh
- Late Evening, Associated with
Monsoon Season
- Raga
- Name of Overall Performance
- Rasa
- The Mood Created by the Rag
- Oral Tradition
- Melody, Drone and Tala
- Melody
- Improvised from Notes of
the Rag
- Drone
- Usually Played by Tambura, Keeps Sense of
Tuning for Melody
- Tala
- Rhythmic Cycle
- First Beat Called the Sam
- Playing Devices
- Meend
- The Sliding Effect Between Notes
- Tan
- Rapid Scalic Flourishes
- Tihai
- Short Passage of Music Repeated
3 Times at the End of a Phrase
- Structure
- Anoushka Shankar
- 1) Alap
- 2) Gat
- 3) Jhalla
- Chiranji Lal Tanwar
- 1) Alap
- 2) Bhajan
- Steve Gorn and Benjy Wertheimer
- 1) Alap
- 2) Gat 1
- 3) Gat 2
- Yiri
- West Africa
- Burkino Faso
- Features of African Music
- Cyclic Structure
- Large Sections Repeated
- Improvisation
- Unwritten
- Made up on spot
- Call and Response
- Solo followed by group
- Repetition, Ostinato
- Built up of Short repeating Patterns
- Oral Tradition
- Unwritten
- Passed on Verbally
- Master Drummer
- Leads the Ensemble
- Gives instructions during Performance
- Pentatonic Scale
- Rhythmic Features Included
- Syncopation
- Notes off Beat
- Cross-Rhythms
- Cross the Usual Pattern of Accented Beats
- Polyrhythmic Texture
- Many Different Parts Playing Together
- Triplets
- Three Notes in the
Same Time as Two
- Steady Pulse/Tempo
- After Free Tempo Start
- Instrumentation
- 2 Balafons
- Play in Octaves
- Provide Balafon Breaks
- Solo Male Voice
- Provides Calls
- Djembe, LargeTalking Drum and
Small Talking Drum
- Play obstinate rhythms
- Create resultant rhythms.
- Choir
- Sing in Unison
- Provides Responses
- Bell
- Heard Only Once at End
- Structure
- 1) Solo Introduction, Balafon
- 2) Alternating Chorus, Vocal and Balafon Breaks
- 3) Call and Response
- 4) Coda (Ending)
- Oral Tradition