THE SUN RISING

Beschreibung

A-Level English literature Mindmap am THE SUN RISING, erstellt von marriyah1123 am 12/06/2016.
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Zusammenfassung der Ressource

THE SUN RISING
  1. She’s all States, and all Princes I ; Nothing else is. Princes do play us ; compared to this, All honour’s mimic ; all wealth alchemy. Thou, Sun, art half as happy as we, In that the world’s contracted thus ; Thine age asks ease, and since thy duties be To warm the world, that’s done in warming us. Shine here to us, and thou art everywhere ; This bed thy centre is, these walls thy sphere.
    1. the next part Donne starts with a hyperbole which is actually present throughout the whole stanza . In the eleventh line he refers to the beams as being sublime or ‘reverend’ and strong. In the following lines, the sun is being mocked at by the poetical voice; he is questioning whether the sun is more powerful than the notion ‘love’. For him it is obvious that love will conquer the sun as he says ironically in the next line ‘Why shoudst thou think’. In the next lines Donne is explaining why love is stronger. He explains in line thirteen that he can dissemble the sun in his universe by closing his eyes ‘I could eclipse and cloud them with a wink’. This is actually impossible in real life because even though a person closes his eyes, the sun will still be present. But for the speaker the sun has disappeared in his ‘imaginative’ world of love.
      1. In line fifteen another hyperbole is being used, the poet asks the sun whether his love has not blinded the sun. By exaggerating here, the author wants to make clear that his love is very intense and powerful. By using witty and humorous exaggerations, Donne uses another characteristic of metaphysical poetry. It can even be said that Donne goes beyond this and links it to a deeper theme ‘the sanctity of the isolated’.
        1. Donne is questioning the sun as to why it came out. The male speaker complains that the sun has disturbed the lovers. He tells the sun to go away awake others. The sun is unimportant in comparison to the speaker’s lover. Tells the sun to shine on the lover’s bed. Bed and walls are the centre and walls of the universe. The form of the poem is an aubade. Traditional poem or song lamenting the arrival of dawn to separate the lovers. The sun rising connotes the genitals rising. Personification of the sun assuming it to be an old fool and unruly. The sun being portrayed as a busybody. Sun and times are the semantic fields.
      2. Busy old fool, unruly Sun, Why dost thou thus, Through windows and through curtains call on us ? Must to thy motions lovers’ seasons run ? Saucy pedantic wretch, go chide Late school-boys, and sour ’prentices, Go tell court-huntsmen that the King will ride, Call country ants to harvest offices ; Love, all alike, no season knows, nor clime, Nor hours, days, months, which are the rags of time
        1. Thy beams, so reverend and strong Why shouldst thou think? I could eclipse and cloud them with a wink, But that I would not lose her sight so long : If her eyes have not blinded thine, Look, and tomorrow late tell me, Whether both the Indias of spice and mine Be where thou left’st them, or lie here with me. Ask for those kings whom thou saw’st yesterday And thou shalt hear, ‘All here in one bed lay.’
          1. Almost 30 years before John Donne's birth in 1572, Copernicus had published his revolutionary theory of a heliocentric universe. Although it made little impact at the time, later on, when Galileo was basing his own astronomical research on the work of his predecessor, the theory scandalised the Church of Rome. In 1616, heliocentrism was officially pronounced "false and contrary to scripture".
            1. ‘ The sun rising ’ by John Donne is a Renaissance poem. It was published in 1633 after his death but the precise date when the poem was written is not known. ‘The sun rising’ consists of thirty lines which are divided into three stanzas. The poem contains two embracing quatrains followed by a couplet. The poem is written with a witty style and much exaggeration. Donne is known for using imaginative writing and for being a metaphysical poet. The characteristics of this style are; witty humour, irony, the use of paradoxes and play with words. Themes such as love, geography and cosmology, roman ce and man’s relationship with God, were often used by metaphysical poets.
              1. the first stanza gives the impression that Donne is agitated and annoyed by the sun. The first line starts with a personification of the sun. Donne expresses that the sun is disturbing ‘us’ by which he refers to two lovers. When he continues, he asks the sun to go away and to disturb others such as school-boys and the huntsman. The reader learns here that the poem will actually be a message from the poet and his lover to the sun in other words the theme is revealed as a love poem.
                1. They believe their love will not be changed by time. The sun is a huge star but is compared with an ordinary human being. Importance of hours, days and months. His lover is the brightest star for him. Technique of hyperbole – turn bling by looking at his lover’s brightness. She’s exotic – spicy, exciting, a princess perhaps… Indian colonies. The caesura leaves space to think. To warm the world + shine here to us. This bed, thy center – if the sun warms them, it’ll warm the whole world. The sun is separating them. Saying that god made him realise that he was wrong. Shutting the eye of day – in the poem he is trying to shut the sun out – planetary divination is an important concept.
                  1. This is especially remarkable in the last part of this stanza. The lover tells the sun to go visit faraway countries such as India but the sun can also stay because the whole world lies in bed with him. He says that the sun can ask kings but that he and his lover are so powerful that even the kings will say that they are with them in bed. In other words, the couple is the most powerful of all because everyone lives in their love world. ‘All here in one bed lay’ , as expressed in line twenty explains this. The last part is actually ironic and witty, which characterizes the style of metaphysical poetry. The poetic voice challenges the sun by telling it to travel the world and finding someone of great power. This is actually impossible because the lover already knows that the love between him and his lover is more powerful than anything.
              2. Bennet (1953) describes metaphysical poetry as poetry where ‘ emotions are shaped and expressed by logical reasoning, and both sound and picture are subservient to this end. Words consecrated to poetry are avoided they prefer words in everyday use they are soberly engaged in commerce or in scientific speculation’
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