Zusammenfassung der Ressource
Characters in "King Lear"
- Lear
- Blind and irresponsible
King and father.
- Tragic hero: he is obsessed
with pride and being told how
much his daughters love him
all the time.
- His madness is his downfall - we
see him go from this powerful
authority to being a "old" King with
no power.
- Does he
deserve to be
punished for
his acts at the
beginning of
the play?
- He takes in Kent and
loves the Fool showing
that he does car for the
lower class and
respects loyalty.
- Audiences feel sorry for him after
what happens with Gonerill and
Regan because he is an old man that
is being treated wrongly.
- His madness lets him learn the unjust
place that he had ruled, that he must
forgive Cordelia and that he must
understand the poor.
- He remains self-obsessed and
vengeful - he doesn't have the
realisation on his own and
wants to punish his daughters.
- By the end of the play Lear
submits himself to Cordelia's
power and only sees himself as
her father.
- He clearly cares for
Cordelia as he kills the
man that hanged her.
- Cordelia
- Her refusal to do Lear's love
test might be her rebelling
against the conforms of the
male characters?
- Does she make way for her
sisters rebellion?
- She is presented as the perfect
character who will restore good to
the land with her return.
- When she comes back
into the play in the final
scene everything that she
says and does is good.
- She is honest and just, her
"nothing" is the only bit of truth
spoken by the daughters.
- Is she too good to be
true? Was she always
going to die?
- Cordelia's death highlights the fact
that the play is a tragedy and shows
the consequences of Lear's
madness.
- Cordelia, in comparison
to Gonerill and Regan, is
so good that her death is
worth avenging.
- She is shown as being pure
and very feminine; one of two
types of characters used in
Jacobean drama.
- Gonerill
- Gonerill is controlling at the
beginning of the play -
stopping Lear's authority.
- Gonerill is shown to be
vicious as she is the one
who has the idea to take
out Gloucester's eyes.
- She takes away any authority that
her husband has and turns him
against her.
- She commits adultery and murder
because of her lust for Edmond -
turning everyone against her.
- Would be shocking to an
audience as she is
subverting the stereotype of a
good woman.
- Some sympathy
could be created for
her as she is not
Lear's favourite and
never will be.
- Regan
- At the beginning of the play,
Regan is seen as the
passive sister and allows
Gonerill to take control.
- She becomes more dominant, telling
Cornwall to inflict more pain on
Gloucester and leading the army
against Lear.
- She is violent and
masculine - running the
servant through would
have been a male thing
to do.
- She subverts everything that a
woman was expected to be -
she is jealous, treacherous and
immoral.
- Her lust for Edmond
blinds her to what her
sister is plotting
against her as well as
turning her against
Gonerill.
- Clearly defined villain -
animal imagery to
highlight her lack of
femininity.
- Albany
- At the beginning
it is suggested
that he is so good
and naiive that he
has been taken in
by Gonerill.
- Doesn't say anything at
the beginning so that the
plot is focused on Lear
and his daughters, which
makes him look better
later on.
- He turns good at the end of
the play and turns against
Gonerill and Edmond, by
arresting the latter.
- He becomes a voice of justice at
the end - he assumes the power
and allows Edgar to speak of
Gloucester's death.
- Too little, too late - he comes in too
late and there is nothing that he can
do to stop the deaths of good
characters.
- He has new energy and
decisiveness when he returns, and
brings the moral correctness with
him.
- Cornwall
- Cornwall is much like
Gonerill and Regan; ruthless
and unpleasant.
- He is taken in by what Edmond
tells them implying that he is
dubious and naiive.
- He is working against Lear - he
wants to have power, and the
crown, and acts as if he is entitled
to it throughout.
- He is responsible for the most shocking
moment in the play, Gloucester's blinding,
showing that he is violent and aggressive.
- Cornwall's purpose is to show
how far the characters can sink,
and then he is disposed of.
- The fact that he is murdered
by his servant is justice and
ironic - he betrayed Lear and
his servant has betrayed him.
- His death makes the sister's
rivalry over Edmond better.
- Edmond
- The motive behind his evil
doings is that fact that he feels
cheated about his position is
society.
- He will go to any length to get
what he wants, and uses trickery
and deception to achieve his aims.
- He wants to succeed
in the society - his
goddess is Nature;
survial of the fittest.
- He never apologises for his
wickedness and keeps it going
right to the end when he going for
the throne of England.
- Destructive - he gets everything
that he wants and is responsible
for the deaths of the three
princesses. He shows that he is
unstoppable.
- He draws the audience in
with his intelligence, his
language and his success.
- He is forced to fall when
good returns, and he is
defeated by his brother like
he defeated him earlier.
- His last line implies that he
feels that loyalty is important,
but he was doing it wrong.
- Edgar
- Edgar is shown as
being a passive and
trusting character in the
first Act is easily played
by his brother.
- He believes Edmond so
easily suggesting that he is
too good and would never
think of anyone being bad.
- This proves his goodness
because he is then forced to
become a madman and then
take control of his own life.
- His madness helps Lear and allows him
to help his father and have revenge
against Edmond.
- He is the good character
that the audience has faith
in and wants to see
succeed.
- He is the only character at the
end of the play that has not
committed a crime against
family or state.
- He also becomes a representation of
justice at the end of the play - the most
likely person to take over in Lear's place.
- Gloucester
- Blindness - Gloucester is totally
blind to what Edmond is doing
and ruthlessly casts Edgar out
giving Edmond all the power.
- Direct parallel with Lear
who casts out his one
good daughter.
- Has no faith in
Edgar, not trusting
as a father.
- Positive - he helps Lear out
on the heath, denounces
Gonerill and Regan and tries
to reconcile with Edgar.
- His pain reflects Lear's
madness and his suicidal
thoughts keep the end of the
play bleak.
- His willingness to die
foreshadows the death
at the end of the play.
- Sympathy - he is a
good character that is
punished for being
good.
- He holds strong believes
and looks to the gods for
help.
- The Fool
- Comic Relief - he makes
comments about characters,
sings songs and breaks up the
more distressing scenes.
- Dramatic Chorus - he
narrates the play and
foreshadows what is
going to happen at the
end.
- He tells Lear the
truth but is never
banished for it.
- He acts as Lear's
conscience - he gets him
to realise his mistake
with Cordelia.
- To represent Lear's
madness and how is
becomes more and
and more dependent
on other characters.
- Kent
- Kent is detirmined to stay loyal to
Lear throughout the whole play -
he speaks the truth and comes
back disguised when he is
banished.
- There is also suggestion
that Kent tries to stick the
old ways when things in
the Kingdom are moving
on - he does not want to
help Poor Tom.
- Kent represents
the hierarchy from
Lear's time that is
lost at the
beginning of the
play.
- He is a good
character - he speaks
the truth throughout,
he cares for Lear and
Cordelia, he stands up
to the evil characters.
- He becomes less
important and shows
less of his good in the
second half -
foreshadowing Lear's
death?