Zusammenfassung der Ressource
CLASSICAL
HOLLYWOOD FILM
SCORE
- FUNCTIONS
- SUSTAIN UNITY
- POTENTIAL GAPS
- Narrative chain
- EMPHASIZE NARRATIVE ACTION
- COORDINATION MUSIC AND IMAGE
- CONTROL CONNOTATION
- FLESING OUT
- Mood
- Atmosphere
- ESTABLISHING
- Time
- Geographic place
- DELINEATING CHARACTERS´SUBJECTIVITY
- CONNECT THE AUDIENCE
- Filmic world
- Appeal to emotion
- UNDERSCORING
- Music to accompany dialogue
- COMPOSERS 1930
- ROMANTIC IDIOM
- REMARKABLE
- ERICH KORNGOLD
- The adventure of Robin Hood (1938)
- LEITMOTIFS
- An example of classical
scoring principles
- examples
- King Richard´s
leitmotif
- Innocence of Maid
Marian
- delicate
melody
- ALFRED NEWMAN
- Withering heights (1939)
- MAX STEINER
- King Kong (1933)
- OTHERS
- DIMITRI TIOMKIN
- FRANZ WAXMAN
- BRONISLAU KAPER
- MILÓS RÓZA
- KEY ELEMENT
- ROMANTIC IDIOM
- UNIFY THE SCORES
- PRIVILIGES MELODY
- DRAMATIC NEED
- UNDERSTANDLABLE TO AUDIENCES
- LEITMOTIF
- SYMPHONIC ORCHESTRA
- Accessible musical structure
- opposed to BAROQUE or MODERN
music
- MUSIC
- Background
- Was rendered unobtrusive
- MID-CENTURY
- experimenting
- folk
- Symphony on a Hym Tune (Virgil
Thompson)
- jazz
- FILM NOIR
- CRIME FILM
- associated
- URBAN DECADENCE
- IDEOLOGIES
- Race
- Gender
- Sexuality
- structuring
model
- SERIALISM
- Arnold Schoenberg
- idioms
- MODERNISM
- Unconventional
rhythms
- configurations
of instruments
- INTIMATE
- UNSUAL
- HARMONIES
- DISSONANT
- ATONAL
- MINIMALISM
- Repetitive
musical figures
- Disturb
conventional
notions of
RHYTHM and
TIME
- Emotional
triggers
- Emotional response
- COMPOSERS
- Aaron Copland
- Appalachian Spring , billy the kid
- Virgil Thompson
- Symphony on a Hym
Tune
- REMARKABLE
- Silvestre
Revueltas
- NATIONALISM
- TRADITIONAL MUSIC
- Let's go with Pancho Villa (1936)
- Leonard
Rosenman's
- East of Eden
(1955)
- Dissonant,
atonal