Zusammenfassung der Ressource
Literature - The Great Gatsby
- INTERPRETATION OF THE TITLE
- Building up to a show - Gatsby as a
showman - performer, powerful, the title
gives him power (e.g. "Alexander the
Great"), legendary, almost mythical.
- Alliteration - smooth flow, Gatsby is a 'smooth' character
- "The" - unique, there is only one Gatsby.
- Depends on interpretation of "Great" - is it sarcastic, or genuine?
It's a non-committal compliment, many other adjectives that could
have been used in its place which are more emotive.
- HISTORICAL
CONTEXT of 1920'S
- Women
- WW1 - chance of participation and
equality - the vote introduced
around this time - women were
taken more seriously
- Young, leading fashion, skirts
shorter, colours brighter, less
corsets, flapper style, looser clothing
- More masculine fashion - androgynous - shorter
hair, binding breasts for a more masculine
silhouette, an example of this is JORDAN
- Alcohol
- Alcohol prohibition - sale
and trade made illegal - legalised in 1933
- Gatsby made his money off of alcohol
when it was illegal and threw parties
where people got incredibly drunk
- Fitzgerald
- Alcoholic, eventually died due to this
- Is this the reason why Gatsby doesn't drink?
- In love with Zelda whom he eventually married,
though she went mad after TGG's publication
- Gatsby is obsessed with Daisy,
however they don't end up together
- LOCATIONS WITHIN THE TEXT
- West Egg
- The self-made rich, location of Gatsby's
mansion, and thus Nick's house
- Newly rich portrayed as vulgar, gaudy, ostentatious
and lacking in social graces and taste
- E.g. - Gatsby wears a pink suit, drives a yellow Rolls-Royce and
does not pick up on subtle social signals.
- The Valley of Ashes
- Between West Egg and New York City
- Long stretch of desolate land - the dumping ground of
industrial ashes
- Representative of the moral and social decay
resulting from the uninhibited pursuit of wealth
- The rich indulge themselves with little regard for
anything except themselves
- Symbolic of the plight of the poor (e.g. George Wilson) who live
among the dirty ashes and lose their vitality as a result
- East Egg
- The 'old' rich, location of the Buchanan's house.
- Higher social awareness, respectability and taste. Aristocratic.
- E.g. - Daisy and Jordan's long flowing white dresses.
- George Wilson's garage
- Described as a "Shadow of a garage" - suggests that it is barely
there, perhaps just struggling to exist as a business.
- Symbolic of the difficulties that would be posed due to the rich being
able to replace rather than "Make do and mend".
- Garage might literally be overshadowed - replaced by bigger and better things.
- Train carriage
- Symbolic of improvements of technology and the
ability to travel as well as communicate.
- However, people still have to travel through the Valley of
Ashes, which could be symbolic of two things
- 1). People are still exposed to hardship and
everything is not as bright as it seems initially
- 2). People don't pay any attention to other's
hardships - "Ignorance is bliss" mentality.
- Taxi cab in New York City
- "Lavender colored [sic] with gray
[sic] upholstery"
- Beautiful and vibrant on the outside, but
unhealthy on the inside
- Could the grey be a reference to the Valley of Ashes?
- Superficiality - people might not be as nice or
glamourous as they appear to be.
- Apartment in New York City
- "A long white cake of apartment-house"
- Sickly sweet, purity - an opposing connotation -
white icing to cover a fruit cake which is something
quite plain, perhaps trying to be more than it is.
- Relates to the superficial, materialistic ideas and a possible
relation to Myrtle's idea that she's beautiful, even if she is not
- ACTION IN THE CHAPTERS &
RELATION TO THEMES IN THE BOOK
- TWO
- Nick, Tom and Myrtle meet other friends of
theirs in the apartment and get drunk.
- There is a fight between Tom and Myrtle over her not being fit to mention
Daisy's name: subsequently Tom hits out at Myrtle
- Nick and Mr McKee from the flat below run away - it is suggested that
there is some kind of sexual encounter between the two
- Both Gatsby and Daisy are topics of gossip, which provides a
conflict about how the characters are perceived
- • Everything is not as good as
it seems - a 'nice' day ends in
an assault
- • Jealousy - Myrtle is
potentially jealous of Daisy
- • Superficiality - the women
are focused on and to some
extent obsessed with beauty,
seen during the exchange
where they are discussing who
McKee should photograph
- THREE
- The first experience of one of Gatsby's parties, a
rich example of language analysis.
- "Blue gardens", "Cataracts", "Toiled", "Repairing the
ravages", "Pulpless halves", "Bewitched", "Gaudy",
"Strange", "Lurches", "Pitches a key higher"
- All of these excerpts have a slightly negative atmosphere
- Nick isn't explicitly saying that he doesn't like the parties, but
"Lurches" and "Pitches a key higher" provides a sense of unease.
- The terms are unpleasant, but not horrible. This
could be representative of something negative
underneath the ostentatious tune of the parties.
- Champagne
- Wealth, class, restricted
alcohol - "Whisperings",
hidden, underhand.
- Moths
- Fragile, drawn to
light - beauty -
helpless, fickle.
- Men and girls
- Emotional maturity, attractive and fashionable -
not domesticated, "Men and women" would be
more formal, suggestion of inappropriate activity
between older men and younger girls.
- Blue gardens
- Different interpretations - i.e. melancholy,
sad or alternatively relating to the idiom
"Turning the air blue" - profanities
- Moonlight can make things
appear blue, dream like?