E.M. Flood
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Freshman/October 2018/English 9

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Twelfth Night (Study Guide)

Frage 1 von 21

1

What are all the themes in Twelfth Night?

Wähle eine oder mehr der folgenden:

  • Self-love will only get you misery

  • Love for another must be selfless

  • Who is the real fool?

  • Miscommunication

  • Deception (of self and others)

  • The giving of tokens

  • images of the sea

  • Mythological allusions

  • Plot points

Erklärung

Frage 2 von 21

1

What are all the motifs in Twelfth Night?

Wähle eine oder mehr der folgenden:

  • Music

  • Masks (literal and figurative)

  • Letters/Tokens of affections

  • Sickness, disease, decay

  • Images of the sea

  • Plot points

  • Shakespeare stuff

  • Antithesis

  • Personification of love

  • Miscommunication

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Frage 3 von 21

1

A motif is a recurring idea or convention in a literary work.

Wähle eins der folgenden:

  • WAHR
  • FALSCH

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Frage 4 von 21

1

Prose vs. Poetry: In , the beginning word of every line is , unlike prose. is ordinary conversation between characters.

Klicke und ziehe, um den Text zu vervollständigen.

    poetry
    prose
    allusions
    Prose
    Poetry
    Implied dramatic action
    capitalized
    removed
    a pun

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Frage 5 von 21

1

A is a character speaking their thoughts aloud when by oneself or regardless of any hearers except for the audience. A is when two unlike things are compared using the words, "like," or "as." A is when two unlike things are compared without using the words, "like" or "as." is where animals, ideas, or non-living objects are given human characteristics. is an expression, either through words or events, that show a reality opposite from appearance or expectation.

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    soliloquy
    personification
    irony
    simile
    theme
    plot point
    metaphor
    implied dramatic action
    folly
    Personification
    Self-love
    Prose
    Irony
    Poetry
    Music

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Frage 6 von 21

1

(Act II)
What does Sebastian think happened to his sister?

Wähle eine der folgenden:

  • She drowned

  • She works for Orsino

  • She works for Olivia

  • She returned to Messaline

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Frage 7 von 21

1

(Act II)
Why can't Antonio accompany Sebastian to Orsino's court?

Wähle eine der folgenden:

  • He needs to travel somewhere else

  • He doesn't like Sebastian

  • He has many enemies in Orsino's court

  • He's out of money

Erklärung

Frage 8 von 21

1

(Act II)
What does Viola realize about Olivia after her tun-in with Malvolio?

Wähle eine der folgenden:

  • Olivia is in love with Cesario

  • Malvolio is a really nice person

  • Olivia is crazy

  • Malvolio is trying to trick Viola

Erklärung

Frage 9 von 21

1

(Act II)
What are Feste, Sir Toby, and Sir Andrew doing when they are confronted by Malvolio?

Wähle eine der folgenden:

  • Laughing/talking loudly

  • Drinking

  • Singing

  • All of the above

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Frage 10 von 21

1

(Act II)
What is Malvolio's threat to Toby?

Wähle eine der folgenden:

  • Malvolio will challenge Toby to a duel

  • Toby will get kicked out of Olivia's house

  • Malvolio will take away all the wine

  • Toby will be forbidden from hanging out with Maria

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Frage 11 von 21

1

(Act II)
Why is Maria needed to gull Malvolio?

Wähle eine der folgenden:

  • Malvolio trusts her

  • She sounds just like Olivia

  • She writes just like Olivia

  • She will keep Toby and Andrew quiet

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Frage 12 von 21

1

(Act II)
How does "Cesario" describe the person with whom "he" is in love to Orsino?

Wähle eine der folgenden:

  • Of Orsino's age

  • Of Orsino's looks

  • Of Orsino's wealth

  • Both A and B

  • All of the above

Erklärung

Frage 13 von 21

1

(Act II)
In his conversation with Viola, what does Orsino say about women?

Wähle eine der folgenden:

  • Men usually lose interest in them easily

  • They are irrational and emotional

  • They cannot feel love like men, especially Orsino

  • Both A and B

  • Both A and C

Erklärung

Frage 14 von 21

1

(Act II)
When Orsino describes the song that Feste is about to sing to them, he calls it "silly smooth" and says that it plays "with the innocence of love." How is this an ironic statement given what Feste sings?

Wähle eine der folgenden:

  • The song is about death

  • The song is very violent

  • The song is full of jokes

  • The song is about finding love

Erklärung

Frage 15 von 21

1

(Act II)
What has Maria left in the garden for Malvolio to find?

Wähle eine der folgenden:

  • A ring

  • A watch

  • Some rich jewel

  • A letter

Erklärung

Frage 16 von 21

1

(Act II)
What color does Olivia especially hate, according to Maria?

Wähle eine der folgenden:

  • Black

  • Green

  • Yellow

  • Purple

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Frage 17 von 21

1

Name four of the instructions left for Malvolio that he will follow in order to show his love for Olivia.

Wähle eine oder mehr der folgenden:

  • Wear yellow cross-gartered stockings

  • Smile a lot

  • Go on political rants

  • Be surly with servants

  • Be kingly with servants

  • Laugh and sing a lot

  • Wear green cross-gartered stockings

Erklärung

Frage 18 von 21

1

(Act II)
Which of the following is NOT a mythological allusion?

Wähle eine der folgenden:

  • "MOAI doth sway my life."

  • "Good night, Penthesilea."

  • "To the gates of Tartar, thou most excellent devil of wit!"

  • "Jove, I thank thee!"

Erklärung

Frage 19 von 21

1

(Act II)
Identify the following puns in Act II. Circle two.

Wähle eine oder mehr der folgenden:

  • "I am dog at a catch."

  • "I'll cudgel him and make him cry 'O'!"

  • "I left no ring with her. What means this lady?"

  • "I will be point-devise the very man."

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Frage 20 von 21

1

Identify the following implied dramatic actions from Act II.

Wähle eine oder mehr der folgenden:

  • "She shall know of it, by this hand!"

  • "If it be worth stooping for, there it lies, in your eye."

  • "There's for thy pains."

  • "...though I now seem to drown her remembrance with more (salt water)."

Erklärung

Frage 21 von 21

1

Identify all examples of puns.

Wähle eine oder mehr der folgenden:

  • "Dost thou live by the tabor?" "No, sir, I live by the church." (Act III)

  • "...although the sheet were big enough for the bed of Ware in English, set 'em down." (Act III)

  • "Thou hast an open hand." (Act IV)

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