Josh Gr
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Arts Quiz am Music History Final Part 1, erstellt von Josh Gr am 11/12/2016.

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Music History Final Part 1

Music History Final Part 1

Frage 1 von 24

1

Numerical Ratios Pythagoras:

Wähle eine der folgenden:

  • - Octave - 7:3
    - Fifth - 2:1
    - Fourth - 5:2

  • - Octave - 2:1
    - Fifth - 3:2
    - Fourth - 4:3

  • - Octave - 6:3
    - Fifth - 1:1
    - Fourth - 3:4

  • - Octave - 5:4
    - Fifth - 5:3
    - Fourth - 4:1

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Frage 2 von 24

1

Doctrine of Imitation:

Wähle eine der folgenden:

  • Aristotle postulated that the music an individual composed reflected their true selves.\

  • Plato believed that athletics caused an individual to demonstrate brutal behaviors

  • Plaot believed that this world was an imitation of the real world of the forms

  • Outlined by Aristotle in his Politics (character of the person imitated character of the music listened to)

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Frage 3 von 24

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Guido of Arezzo invented solmization to help with sight-singing – syllables representing sequence of whole and half steps in notes C-D-E-F-G-A (ut, re, mi, fa, sol, la). Derived syllables from hymn “Ut queant laxis.”

Wähle eins der folgenden:

  • WAHR
  • FALSCH

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Frage 4 von 24

1

Fülle die Lücke, um den Text zu vervollständigen

Music of the Cosmos: Musica

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Frage 5 von 24

1

Trope:

Wähle eine der folgenden:

  • Expanded on an existing chant by 1) adding new words and new music; 2) adding just new music by extending melismas or adding notes to preexisting melodies; 3) adding just new words to preexisting melismas (called prosula). All tropes banned by Council of Trent in the 16th c.

  • Syllabic musical setting of a sacred text sung after the Alleluia. Originally thought to have originated as a prosula of the jubilus. Notker Balbulus from the 9th-10th c. a known composer of sequences. All but four sequences banned by Council of Trent (most famous of the four include “Victimae Paschali Laudes” for Easter and the “Dies Irae” or “Day of wrath” for the Requiem mass).

  • Tradition began with troubadours in southern France with the langue d’oc

  • cadence in which the upper voice ascends a third to its final note while the tenor descends by step (aka the under-third cadence). Landini did not invent cadence, but first to use it consistently. Became commonplace in late 14th- and early 15th-c. Italian and French music (15th c. = blending of national traditions and loss of unique Italian Trecento musical style).

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Frage 6 von 24

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Franconian notation:
New system of notation devised by composer and theorist Franco of Cologne called Franconian notation.
New format of notation--as opposed to the previous score notation--in which voice parts separated to not waste valuable parchment with the long-held notes in the tenor.

Wähle eins der folgenden:

  • WAHR
  • FALSCH

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Frage 7 von 24

1

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French for “hiccup”, frequently used in isorhythmic works – two voices trade notes in a melody, with one resting while the other sings.

Called a:

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Frage 8 von 24

1

Double Leading Tone Cadence

Wähle eine der folgenden:

  • Cadence in which bottom voice moves down a whole tone and both upper notes raised to resolve upward by a half step, was a characteristic sound of the time period.

  • Cadence in which the upper voice ascends a third to its final note while the tenor descends by step (aka the under-third cadence)

  • Upper voices move together in same rhythm with accompaniment in the lower voices

  • Successive notes in semitone relationship; previously most music diatonic

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Frage 9 von 24

1

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: voices imitate or echo a musical phrase in another voice at a different pitch

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Frage 10 von 24

1

Fülle die Lücke, um den Text zu vervollständigen

: Upper voices move together in same rhythm with accompaniment in the lower voices

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Frage 11 von 24

1

Contenance Angloise:

Wähle eine oder mehr der folgenden:

  • “English quality”

  • Uses 9ths to accompany minor 3rds

  • little dissonance

  • simple melodies

  • regular phrases

  • syllabic text-setting

  • homorhythmic textures

  • Ascribed to Wipo of Burgundy

  • hocket between tenor and counter tenor

  • Thirds and sixths in parallel motion

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Frage 12 von 24

1

Successive notes in semitone relationship; previously most music diatonic

Wähle eine der folgenden:

  • Quadruplum

  • Isorythm

  • Chromaticism

  • Syllabic

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Frage 13 von 24

1

Fülle die Lücke, um den Text zu vervollständigen

: Syllabic musical setting of a sacred text sung after the Alleluia. Originally thought to have originated as a prosula of the jubilus. Notker Balbulus from the 9th-10th c. a known composer of sequences. All but four sequences banned by Council of Trent (most famous of the four include “Victimae Paschali Laudes” for Easter and the “Dies Irae” or “Day of wrath” for the Requiem mass).

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Frage 14 von 24

1

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Tradition began with troubadours in southern France with the langue

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Frage 15 von 24

1

Northern France tradition began with the trouvères in the langue d’oïl (after the regional words for “yes”) (vernacular song)

Wähle eins der folgenden:

  • WAHR
  • FALSCH

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Frage 16 von 24

1

Fülle die Lücke, um den Text zu vervollständigen

A was a type of organ that was light enough to travel wiith

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Frage 17 von 24

1

“New Art”, a new musical style inaugurated in part by French composer and poet Philippe de Vitry (1291-1361).

Wähle eine der folgenden:

  • Ars Nova

  • Ars Subtilor

  • Contenance Angloise

  • Ite, missa est

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Frage 18 von 24

1

Fülle die Lücke, um den Text zu vervollständigen

:
New style of secular music that emerged in the later 14th c. in southern France and northern Italy. Genre consisted mainly of polyphonic songs in the formes fixes, especially ballades.
Called Ars subtilior (the more subtle manner or the subtler art) because of the refined style of these songs and the composers’ willingness to push musical possibilities to new extremes. Phrase derived in part from writings of composer and theorist Philippus de Caserta at the court of Avignon.
Rhythmic complexity – Caserta and others developed new notational signs and practices for more complex rhythms, including voices in contrasting meters, beats subdivided in multiple different ways, and syncopations. Rhythmic complexity of this music would not be matched until the 20th c.

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Frage 19 von 24

1

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: Several manuscripts preserve polyphonic secular song from after 1330, namely the Squarcialupi Codex (copied much later from 1410-15).

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Frage 20 von 24

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– a collection of 25 madrigals by different composers compiled by Morley, with each madrigal ending with the words “Long live the fair Oriana” (previously thought to refer to Queen Elizabeth).

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Frage 21 von 24

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Principal form of improvisatory keyboard music in the second half of the 16th c., “to touch”

Wähle eine der folgenden:

  • Ricercare

  • Toccata

  • Canzona

  • Prelude

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Frage 22 von 24

1

Chorale: a style of harmonization influenced by Calvinist psalm tunes in which chorales have the main melody in the highest voice and are accompanied by block chords; after 1600, organ played all voice parts while congregation sang main melody.

Wähle eins der folgenden:

  • WAHR
  • FALSCH

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Frage 23 von 24

1

Fülle die Lücke, um den Text zu vervollständigen

(“first practice,” the 16th-c. style of vocal polyphony in which counterpoint rules held precedence over the text)

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Frage 24 von 24

1

Fülle die Lücke, um den Text zu vervollständigen

(“second practice,” the modern style in which composers may stray from previous 16th-c. norms and employ dissonance more freely for purposes of text expression).

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