4116389
Beschreibung
Quiz von Sarah Holmes, aktualisiert more than 1 year ago
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Erstellt von Sarah Holmes
vor etwa 9 Jahre
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Frage 1
Frage
What form of literary non-fiction text is Into the Dark?
Antworten
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Autobiography
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Biography
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Travel writing
Frage 2
Frage
Drag and drop the annotations to the correct places to show the narrative viewpoint and how the events narrated relate to the author himself.
Antworten
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First person
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Second person
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Third person
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1st person collective to draw reader in
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2nd person to address reader directly
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3rd person to distance reader
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Past tense = retrospective
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Present tense = happening now
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Future tense = predicting the future
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Outside of his prior experience
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Familiar to him
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Unusual but recognisable
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Modal verb shows nothing else to do
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Active verb shows him staying active
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Passive verb shows he had given up
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Establishes routine to stay sane
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Resists enforced routine
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Lack of routine = unsettling
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Maintains standards = civilised
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Lack of standards = uncivilsed
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Reminders of home = important
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Reminders of home = painful
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Superstition sets in
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Irrational fear
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Tries to retain some power
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Submits to the power of captives
Frage 3
Frage
What impression is created of Brian Keenan in this extract?
Antworten
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He remains dignified and does not give up when imprisoned.
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He tries but fails to retain his dignity when imprisoned.
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He fights back against his captors.
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He simply accepts his fate and gives up, waiting to be rescued.
Frage 4
Frage
Whilst imprisoned, Keenan thought he might be killed by his captors.
Antworten
- True
- False
Frage 5
Frage
Choose from the drop-down menus to annotate the text to show how language is being used for effect in this extract.
Antworten
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Collective pronouns include reader
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3rd person pronoun distances reader
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direct address via 2nd person pronouns
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Emphatic language
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Emotive language
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Hyperbolic language
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Invites reader to particpate
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Tells reader what to think
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Patronises reader
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Adverbs connote carelessness
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Adjectives connote carelessness
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Prepositions connote carelessness
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Repetition reflects monotony
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Alliteration reflects monotony
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Onomatopoeia reflects monotony
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Modal verb connotes limited options
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Imperative verb connotes limited options
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Active verb connotes limited options
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Figures connote confinement
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Descriptions connote confinement
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Nouns connote confinement
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Complex sentence contradicts monotony
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Compound sentence contradicts monotony
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Simple sentence contradicts monotony
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Three-part list for emphasis
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Emotive language for emphasis
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Emphatic language for emphasis
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2nd three-part list builds effect of 1st
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2nd three-part list contradicts 1st
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2nd three-part list same as 1st
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Sensory language to engage reader
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Emotive language to engage reader
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Persuasive language to engage reader
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Sibilance used to recreate sound
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Personification used to recreate sound
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Simile used to recreate sound
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Onomatopoeia connotes awful reality
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Onomatopoeia connotes violence
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Onomatopoeia connotes status quo
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Short sentence connotes secrecy
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Short sentence connotes openness
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Short sentence connotes hatred
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Emphatic language connotes importance
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Hyperbolic language connotes importance
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Emotive language connotes importance
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