The Winter's Tale - Critical Analysis

Beschreibung

AS level English (The Winter's Tale) Karteikarten am The Winter's Tale - Critical Analysis, erstellt von Daisy Lovick am 23/04/2018.
Daisy Lovick
Karteikarten von Daisy Lovick, aktualisiert more than 1 year ago
Daisy Lovick
Erstellt von Daisy Lovick vor mehr als 6 Jahre
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Zusammenfassung der Ressource

Frage Antworten
John Dryden The play lacked "vigour and maturity" - it was "grounded in impossibilities"
18th century critics Ignored the first half of the play - only performed the latter
William Hazlitt Enjoyed the "romantic sweetness, the comic humour"
Samuel Taylor Coleridge (on Leontes' jealousy) "an excitability by the most inadequate causes... a sense of shame of his own feelings"
E.M.W Tilyard Saw the play as having distinct planes of reality - "the different planes on which human life can be lived"
Herman Northrop Frye Came up with the idea that the play is structured around seasons - moving from winter to spring with the promise of summer romance
Herman Northrop Frye (on the play's ending) "It is the world symbolized by nature's power of renewal"
S. L. Bethell Had a Christian reading of the play - Shakespeare was exploring sin, repentance and reconciliation
G. Wilson Knight Believed the play was a mix of Christian, pagan, and naturalistic influences
J. I. M. Stewart Introduced a psychoanalytical view - the play is "most massive below the surface"
J. I. M. Stewart (on Leontes' jealousy) Believes it is Leontes' repressed sexual feelings towards Polixenes - he is "consciously unable to entertain the thought"
Stephen Reid Leontes projects his affections for Polixenes through Perdita's marriage to Florizel
Bill Overton (on Perdita, Paulina and Hermione) "Three female roles of the first significance"
Carol Thomas Neely Leontes and Polixenes' "oppressive misogny" are responsible for the "static, barren, masculine world"
McGuire "the focus is not on the genesis and growth of... jealousy, but on its effects and repurcussions"
Jane Smiley "Shakespeare wrote The Winter's Tale to answer King Lear's tragedy with hope"
Jane Smiley "Leontes lives to regret and rethink his early selfish definition of love"
Winthrop Ames' 1910 New York production Leontes and Polixenes were dressed identically - "mirror images of each other"
S.H. Mendelson (on Hermione's death) People in Shakespeare's time believed "parents suffered such deep grief that they could die themselves"
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