Erstellt von Ellie Hope
vor mehr als 7 Jahre
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Frage | Antworten |
'I took the drama ... and made it as a personal a mode of expression as the lyric or the sonnet' | Oscar Wilde |
'Plots are tedious. Anyone an invent them' | Oscar Wilde |
'Wilde disdained the notion that public opinion should exercise any shaping power over art' | Sos Eltis |
'Art, Wilde insisted, was to be judged by aesthetic criteria alone' | Sos Eltis |
'A problem play, a society drama engaging with contemporary issues' | Sos Eltis |
'Lady Chiltern who accepts not only her husband's feet of clay but also that his love is conditional on her continuing support for his political ambition' | Sos Eltis |
'Indeterminancies are not incidental but crucial to the unsettling effect' | Sos Eltis |
'A deceptive and indeterminate play' | Sos Eltis |
'Wilde resisted characteristics of his plays as stylistically or morally conventional' | Sos Eltis |
'A uniting of heart and head, intellect and emotion' | Sos Eltis on Sir Robert and Lady Chiltern |
Mr Wilde is to me our only thorough playwright' | George Bernard Shaw |
'Wilde's barbed comments on politicians' | Plays International |
'The play's appositeness to the here and now takes your breath away' | Plays International |
'She [Mrs Cheveley] and Lord Goring are, in a sense, exotic birds of a feather, the one corrupted as the other is humanised by a talent for seeing through English hypocrisy' | Paul Taylor |
'The plots are creaking old contrivances' | John Russell Taylor |
'The plots of his plays were less important to him than the language' | Peter Raby |
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