Created by Frances McKean
about 6 years ago
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Question | Answer |
Nicolas Poussin, The Nurture of Jupiter (oil on canvas, mid-1630s; Dulwich Picture Gallery, London) | |
Nicolas Poussin, The Seven Sacraments (Second Series): Eucharist (oil on canvas, 1647; Scottish National Gallery, Edinburgh) | |
Nicolas Poussin, The Adoration of the Golden Calf (oil on canvas, 1633-4; National Gallery, London) | |
Claude Lorrain, Seaport with Embarkation of the Queen of Sheba (oil on canvas, 1648; National Gallery, London) | |
Claude Lorrain, Landscape with the Marriage of Isaac and Rebecca (“The Mill”) (oil on canvas, 1648; National Gallery, London) | |
Nicolas Poussin, The Israelites Gathering Manna in the Desert (oil on canvas, 1637-39; Musée du Louvre, Paris) | |
Charles Le Brun, Queens of Persia at the Feet of Alexander the Great (The Tent of Darius) (oil on canvas, 1661; Versailles, Châteaux de Versailles et de Trianon) | |
Marcus Gheeraerts I, Allegory of Iconoclasm (etching, 1560-70; British Museum, London) | |
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Nicolas Poussin, Self-Portrait (oil on canvas, 1650; Musée du Louvre, Paris) |
Jan Vermeer, View of Delft (oil on canvas, 1660-1; Mauritshuis, The Hague) | |
Robert Hooke’s design for the use of a camera obscura; woodcut illustration from Philosophical Experiments and Observations of the Late Eminent Dr. Robert Hooke, ed. W. Derham (London: W. and J. Innys, 1726), 295 | |
Magnified Flea from Robert Hooke’s Micrographia (London: John Martyn and James Allestry, 1665) (etching and engraving, 1664; Royal Society Library, London) | |
Gabriel de Saint Aubin, View of the Salon of 1765 (black chalk, ink and watercolor on paper, c. 1765; Musée du Louvre, Paris) | |
Jean-Antoine Watteau, The Embarkation for Cythera (oil on canvas, 1717; Musée du Louvre, Paris) | |
Jean-Antoine Watteau, Gersaint’s Shop Sign (oil on canvas, 1721; Staatliche Museen, Berlin) | |
Jean-Antoine Watteau, The Perspective (oil on canvas; ca. 1714-15; Boston Museum of Fine Arts) |
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