Created by Kimberly Endel
over 8 years ago
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Question | Answer |
If the measure on the left is the original melody, the measure on the right is an example of ... | Retrograde |
AB | Binary Form |
If the top is the original melody, the melody underneath is called the ... | Inversion |
The passage that ends a musical piece or movement. | Coda |
The shape of melodic pitches | contour |
One phrase ends while another begins at the same time. | Elision |
The act of delaying a cadence by adding more notes before the cadence. | Cadential Extension |
This section of music helps prepare the return to the verse or chorus. | Bridge |
A melody played simultaneously with another melody. | Countermelody |
I - I - I - I IV - IV - I - I V7 - IV - I - I | 12 bar blues |
Augmentation | Stretch out |
Conjunct | Step-wise melodic motion |
Diminution | Shorten |
Sequence | Moves motive/melody up or down but keeps the same contour |
Truncation | To cut off / end / make shorter |
Smallest identifiable musical idea (can consist of pitch, rhythm, or both) | Motive |
Phases combine to form larger structural unit | Period |
Disjunct | Melodic motion that is not step-wise |
Question part of a cadence | Antecedent |
Answer part of a cadence | Consequent |
Contrasting period | a b |
Parallel Period | a a1 |
Double Period | a b a1 b1 (the only PAC occurs at the end) |
Phrase Group | three-phrase period consisting of a combination of antecedent and consequent. |
Binary | AB |
Rounded Binary | AB (A) (the second A is shortened) |
Ternary | ABA |
Through composed | Little to no repetition |
Strophic | AAA Stanza/verses that are similar in melody. |
Tutti | Everyone play together |
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