First stanza is in the past tense
describing the violence and the
effect of being caught up in it
Second stanza shifts suddenly into
present – as if the narrator is suddenly
back in the experience, reliving the
fear.
Subject
Set in Northern Ireland during ‘The troubles’ – a period of terrorist
incidents between IRA and Ulster Unionists. It made Belfast a terrifying
place to live.
Style
Belfast Confetti’ is a euphemism for miscellaneous objects
thrown during the riots ‘nuts, bolts…’. Sometimes they were
added to IRA bombs to cause more injury. Ironic – these objects
usually hold things together but in conflict used to injure and
hurt. Also confetti usually thrown to celebrate a happy union
rather than break relationships and create discord and havoc.
Lists of words are used to create panic – riot gear
appears menacing. Questions at the end are in list
form to suggest confusion and remind us of the
impersonal questions the soldiers would be asking.
Punctuation is used to make sense of
language – too much results in chaotic
panicky sentences
The whole poem seems to be an extended metaphor for the
way violent conflict destroys language (communication). Take
away language and conflict cannot be resolved: ‘Raining
exclamation marks’ suggests sudden shouts of alarm ‘An
asterisk on the map’ – looks as though there has been an
explosion on paper/shape of an explosion. ‘stuttering’ – sound
of the ‘burst of rapid fire’/narrator cannot get his words out. All
alleyways ‘blocked with stops’ in the same way full stops halts
the reader. ‘Fusillade’ – one shot being fired after the other –
effect one question being fired after the other as the narrator
struggles with fear and uncertainty.