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5088510
AOS 4 - World Music
Description
Mind Map on AOS 4 - World Music, created by tobyloomis on 10/04/2016.
Mind Map by
tobyloomis
, updated more than 1 year ago
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Created by
tobyloomis
over 8 years ago
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Resource summary
AOS 4 - World Music
Skye Waulking Song
Instrumentation
Folk Instruments
Violin
Tremolo in Intro
Accordion
Uillean Pipes
Bouzouki
Modern Instruments
Drum Kit
Bass Guitar
Wurlitzer Piano
Synthesiser
Structure
Section 1
Focus on Singer
Traditional, Simple Beat
E Minor, Alternating Between Em and G
Quiet, Calm, Subdued
Section 2
Harmonised Backing Vocals
Pipe Solo - Heterophonic
Full Rhythm Section
Louder
In G major, Relative Major of Em
Chord Sequences
Intro to Verse 3
Em - G
Verse4 to 7
C - G - Em - G
Verse 7 Only, then Back to Previous
Am7 - Em - Em - G
Outro
C - G
Lyrics
Scots Gaelic
Nonsense Lyrics
Words Taken from a Lament
Features
12/8 Time Signature
Compound Time
Gaelic Language
Rag Desh
Instrumentation
Anoushka Shankar
Melody
Sitar
Tala
Tabla
Steve Gorn and Benjy Wertheimer
Melody
Bansuri
Esraj
Drone
Tambura
Tala
Tabla
Chiranji Lal Tanwar
Melody
Male Voice
Sarangi
Sarod
Drone
Tambura
Tala
Pakhawaj
Cymbals
Tabla
Use of Rag
Rag Desh
Late Evening, Associated with Monsoon Season
Raga
Name of Overall Performance
Rasa
The Mood Created by the Rag
Oral Tradition
Melody, Drone and Tala
Melody
Improvised from Notes of the Rag
Drone
Usually Played by Tambura, Keeps Sense of Tuning for Melody
Tala
Rhythmic Cycle
First Beat Called the Sam
Playing Devices
Meend
The Sliding Effect Between Notes
Tan
Rapid Scalic Flourishes
Tihai
Short Passage of Music Repeated 3 Times at the End of a Phrase
Structure
Anoushka Shankar
1) Alap
2) Gat
3) Jhalla
Chiranji Lal Tanwar
1) Alap
2) Bhajan
Steve Gorn and Benjy Wertheimer
1) Alap
2) Gat 1
3) Gat 2
Yiri
West Africa
Burkino Faso
Features of African Music
Cyclic Structure
Large Sections Repeated
Improvisation
Unwritten
Made up on spot
Call and Response
Solo followed by group
Repetition, Ostinato
Built up of Short repeating Patterns
Oral Tradition
Unwritten
Passed on Verbally
Master Drummer
Leads the Ensemble
Gives instructions during Performance
Pentatonic Scale
Rhythmic Features Included
Syncopation
Notes off Beat
Cross-Rhythms
Cross the Usual Pattern of Accented Beats
Polyrhythmic Texture
Many Different Parts Playing Together
Triplets
Three Notes in the Same Time as Two
Steady Pulse/Tempo
After Free Tempo Start
Instrumentation
2 Balafons
Play in Octaves
Provide Balafon Breaks
Solo Male Voice
Provides Calls
Djembe, LargeTalking Drum and Small Talking Drum
Play obstinate rhythms
Create resultant rhythms.
Choir
Sing in Unison
Provides Responses
Bell
Heard Only Once at End
Structure
1) Solo Introduction, Balafon
2) Alternating Chorus, Vocal and Balafon Breaks
3) Call and Response
4) Coda (Ending)
Oral Tradition
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