literary or dramatic
technique in which a
single character talks
aloud inner thoughts to
himself (or herself), but
not within earshot of
another character.
aside
one character addressing
the audience “on the side”,
offering them valuable
information in relation to
the plot or characters that
only the audience is privy to.
eavesdropping
characters strategically
overhearing others on stage,
informing both themselves
and the audience of the
details, while the characters
being overheard have no
idea of what is happening.
boys
performing
female roles
Women were not legally permitted to act on the English
stage until King Charles II was crowned in the year 1660.
Shakespeare and his contemporaries therefore had no
choice but to cast young boys in the roles of women,
while the men played all the male roles on stage.
presentational
acting
style
direct address
to the
audience
soliloquy
aside
prologue
epilogue
actors were aware of
the presence of the
audience
movements
were stylised
and dramatic
speech patterns
were heightened for
dramatic effect
dialogue
generally poetic, dramatic, heightened
when spoken by upper class characters
Shakespeare's
plays
blank
verse
(unrhymed)
rhyming couplets
(often iambic
pentameter)
in prose, more colloquial, when
spoken by lower class characters
play
within
a play
involves the staging of a
play within the play
itself, as in Hamlet.
Types of plays
Masque
It was an allegorical story about an event or person
involving singing, acting and dancing. Characters wore
elaborate masks to hide their faces.
Comedy
at the beginning of the play there
is always an element of discord,
which is resolved before the close
Tragedy
tragedy of
circumstance
people are born into their situations, and
do not choose them; such tragedies explore
the consequences of birthrights,
particularly for monarchs
tragedy of
miscalculation
the protagonist's error of
judgement has tragic
consequences
revenge
play
the protagonist seeks revenge for
an imagined or actual injury
usually involved sufferings and the
death of the main character
History
play
depicted English or
European history
Tragicomedy
romantic play that violated the unities of time,
place, and action, that mixed high- and low-born
characters, and that presented fantastic actions