Well received, but censure due to critical representation of religion,vivid emotio, love which transcens class
Elizabeth Rigby 1948 'the tone of mind and thought which has overthrown authority and violated every code human and divine.... Is the same which nas also written Jane Eyre'
Critics saw as having a dangerous underlying message
Jane seen as strong minded and independent, godless and unrestrained
Seen as reflecting Bronte's personality
Contemporary approaches
Psychoanalytical readings
Bertha seems opposite to Jane
Imlay 1989 both women are represented at times in similar ways
Bertha seen as ghost/vampire, Rochester sees Jane as witch/imp.
Bertha scratches and bites, Jane scratches John Reed
Jane loses control and put in red room
Gilbert and Gabbar
Bertha is Jane's night-time double
"Bertha is Jane's truest and darkest double; she is the angry aspect Of the orphan, the ferocious secret self Jane has been trying to repress ever since her days at Gateshead
Souvlaki 1985
Jane has more rational approach then Bertha
Jane is middle class Protestant
Bertha colonial subject
Rhys novel WideSargasso Sea gives different perspective as give Bertha's prequel
Feminist criticism
Radical text in which a woman wrote successfully about the treatment of women in society
Gilbert and Gubar 1979: Madwoman in the Attic
Tend to stress political purpose of novel and advocate for women, as was criticised for initially
Fairy tale transposed to real world and radical implications
Early 20th Century
David Cecil 1934 critics scathing because novel is in part fairy tale or narrative of wish fulfillment
Seen as
Incoherently written
Containing unnecessary over poetic prose
Plot seen as dependent on luck and coincidence
Q.D. Leavis 1966
Argued it was tightly composed with coherent structure and thoroughly controlled in the interest of the theme
That Jane's thoughts and feelings are imagined on the deepest level
Marxist criticism
Reassessed the context.....ambiguity of Jane'ssocial position and social mobility which belied the time
Williams 1970
Tensions reflected in representation of desire and fear of isolation
The novel's passion is communicated through a kind of private conversation between reader and narrator
Eagleton 1975
Key theme is submission and when this ceases to be a good thing
Jane is able to climb the social ladder on her own terms
Deconstructionist
Can have interpretations that are opposites yet intertwined
Eg Rochester thinks his marriage destroyed home yet reader can see it gave him financial independence and social position