Sir Gawain and the Green Knight
Anonymous authorhood by the name of Pearl poet or Gawain Poet
14th century Middle English chivalric Arthurian romance
Preserved in a single manuscript, Cotton Nero A.X
Alliterative verses, 2530 irregular lines packed in 101 stanzas
Brings to life the lesson of ideal chivalric knighthood, personal and moral courage
Draws on the Welsh, Irish, English and French valiant traditions
North-West Midland dialect
Character sketch-
Sir Gawain- knight under King Arthur
Green Knight who rode a Green horse, carried a battle ax and a bouquet of holy
Old host with his young, beautiful wife and an old ugly woman
Sorceress Morgan le Fay, Arthur's sister
On new year's day, while King Arthur and his knights were feasting at Camelot, the Green knight appeared and challenged anyone to strike him, in return his assailant shall receive a like blow a year and a day later. Sir Gawain accepted the strange challenge and with one strike of the ax smote off the knight's head. The knight picked up his head, and before riding away reminds Sir Gawain to meet him at the Green Chapel for the return strike. The following winter Sir Gawain sets out on the journey. On Christmas Eve, he prayed to Virgin Mary who leads him to a castle where he is honorably welcomed by the old host, his young wife, and an ugly, old woman. They promised to exchange whatever they earned throughout the day. In absence of her husband, the wife tempts Gawain for three successive nights. He resists the offer only accepting the kisses which he returns to the knight in due time, keeping to himself the green girdle. When on the assigned day, he meets the Green Knight who strikes him three blows with only the third blow having an impact because of his dishonesty in regards to the green girdle. The plan was set by the Sorceress Morgan le Fay, Arthur's sister to test his knights.
Every knight wears a green sash in remembrance of Gawain's adventure and always to remain honest.
Excellent plot handling, realistic elements, characterization, descriptive power, and alliterative long lines