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8735174
CTCS 190 Periodization
Descripción
Cinematic Arts Diagrama sobre CTCS 190 Periodization, creado por Sean Lim el 30/04/2017.
Sin etiquetas
classical
postclassical
modernism
postmodernism
cinematic arts
Diagrama por
Sean Lim
, actualizado hace más de 1 año
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Creado por
Sean Lim
hace más de 7 años
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Resumen del Recurso
Nodos de los diagramas
Classical (1926-1945)
Topical Accomodation
Postclassical (1945-1962)
Hybridization
Vehicle for Social Statement
Parody and Nostalgia
Remyths Genre
Demyths Genre
Transitivity = an outcome directly follows from an action
Goal-oriented Protagonist
Omniscient POV
Identification with Characters
Few Characters
Closure = clear conflict and clear resolution
Closed text = movie speaks for itself from itself
Transparency = formal elements not meant to be shown
Pleasure = audience oriented and for cathartic release
Modernism (1962-1976)
Intransitivity = rules of causality are fragmented
Abstract Characters and Issues
Selective POV = gives into and acknowledges uncertainty
Distance from Characters
Many Characters
Nonclosure = no clear resolution of conflict
Intertextuality = nostalgia for past time periods
Self-Reflectivity = film foregrounds its creation
Confrontation
Themes
Subversion = go against the point of the game
Journey to understand character's place in society
Pose questions that are not necessarily answerable
Acknowledge heterogeneous world
Wants to find out how processes behind the obvious work
Emphasis on situational ethics
Societal Drives
Societal Drives
Italian Neorealism
French New Wave
Angry Young Men
Eastern Europe dark comedy
Swedish chamber dramas
Director as auteur
End of censorship
Conglomerate takeover of the studio
Exposure to Asian and European cultures via the war
Genre Drives
Appeal to the consumer, proven to be money-maker in other arts
Show consumer what they're buying
Props can be reused next year
Repetition every year would increase quality
Hard to come out of mold because industry forbids it
Familiarity and simplicity of sucking audience in without much effort
Represents society as it is in that time period
Cathartic and inspirational for that time period
Vehicle for communication points
Ritualistic = perpetuates culture because you're watching with others
Tragedy
Comedy
Melodrama
Main Types
Subtypes
Romantic
Male/Female
Mystery / Detective
Western / Gangster
Courtroom
Thriller / Sci-Fi
Cynicism about life, tradition, and the American male
Too much classical films on TV, people want to make something new
All other art was doing the same thing
Studios outcompeted by TV, so external indie producers needed
People tried to get around censors
Foreign films seen in art houses, experimen-tation broke genres
Postmodernism (1976- )
Disregard of reality and truth = stay in fantasy forever
High and low culture erased = every film is intended to appeal to all
Imitation of old work to evoke same emotion
No nostalgia for the past eras but just for the images of the past
Lack of depth, spiritually dead
Mashing = heterogeneous causes
Societal Drives
Anti-imperialist youth
International capitalism, post-industrialism
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