12769174
Descripción
Fichas por Brooklyn Gillette, actualizado hace más de 1 año
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Creado por Brooklyn Gillette
hace más de 6 años
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| Pregunta | Respuesta |
| Nicolas Kalmakoff | Affluent Grossly Underknown lots of different cultural references anticipates visionary art postwar portrays women as sexually irresistable and unclean |
| Nicolas Kalmakoff, Satan, 1923, Charcoal | |
| Skoptsy | ascetic secret society reject genetalia no breasts male castration |
| Nicolas Kalmakoff, The Women of Nadjis, 1923, Pastel | |
| The Women of the Nadjis, Nicolas Kalmakoff, 1923, Pastel | nadjis-spirirtually unclean horror vacui- art that fears empty space bright colors elongated forms expressive line iconography cant be connected to anything misogyny, sexual anxiety |
| The Victim, Nicolas Kalmakoff, 1925 | |
| prime example of his misogyny androgynous male as Christ Crucified on the femme fatale | |
| Nicolas Kalmakoff, Stage Design: The Serpentine Crypt, 1910, Gouache on card obsession with satan | |
| Nicolas Kalmakoff, Costume Design: Salome, 1908 Gouache on card | |
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Image:
25 (image/jpeg)
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Heavenly Wrath, Nicolas Kalmakoff, 1915, Lithograph fundraising piece |
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Image:
33a (image/jpeg)
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Wrath of War, Nicolas Kalmakoff, 1917 soldiers and weapons take on demonic forms |
| Nicolas Kalmakoff, Household Ghosts, 1927, oil on canvas | |
| Household Ghsot | spirits derived from gaki gaki=personification of hunger could avoid being reborn as one through asceticism |
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