Art History Final

Pregunta	Respuesta
Image: Screen Shot 2018 04 22 At 12.07.45 Pm (binary/octet-stream)	Marisol, Love, 1962, Plaster and Coca-Cola bottle
Image: Screen Shot 2018 04 22 At 12.14.26 Pm (binary/octet-stream)	Antonio Berni, Juanito Laguna Goes to the City, 1963, Mixed media collage
Image: Screen Shot 2018 04 22 At 12.14.35 Pm (binary/octet-stream)	Luis Felipe Noé, Closed for Witchcraft, 1963, Oil and collage on canvas
Image: Screen Shot 2018 04 22 At 12.17.51 Pm (binary/octet-stream)	León Ferrari, Letter to a General, 1963, Ink on paper
Image: Screen Shot 2018 04 22 At 12.17.57 Pm (binary/octet-stream)	León Ferrari, Western and Christian Civilization, 1965, Polyester, wood, and cardboard
Image: Screen Shot 2018 04 22 At 12.08.03 Pm (binary/octet-stream)	Beatriz González, The Suicide of the Sisga I, 1965, Oil on canvas
Image: Screen Shot 2018 04 22 At 12.07.55 Pm (binary/octet-stream)	Views of Marta Minujín and Rubén Santantonín, La menesunda (Mayhem or The Challenge), 1965, Installation & performance, Buenos Aires
Image: Screen Shot 2018 04 22 At 12.14.42 Pm (binary/octet-stream)	Jorge de la Vega, Loss of Consciousness, 1965, Oil, glass, and fabric on canvas
Image: Screen Shot 2018 04 22 At 12.08.10 Pm (binary/octet-stream)	Hélio Oiticica, Tropicália, 1967, Mixed media installation
Image: Screen Shot 2018 04 22 At 12.19.43 Pm (binary/octet-stream)	Oscar Bony, The Working Class Family, 1968, Gelatin silver print
Image: Screen Shot 2018 04 22 At 12.18.03 Pm (binary/octet-stream)	Tucumán Arde group, Inauguration of Collective Political-Experimental Action and Mass-Mediatic Event, 1968, Argentine Workers’ Central Union, Rosario
Image: Screen Shot 2018 04 22 At 12.25.55 Pm (binary/octet-stream)	Antonia Eirez, A Tribute for Democratic Peace, 1968, Oil and collage on canvas
Image: Screen Shot 2018 04 22 At 12.23.50 Pm (binary/octet-stream)	Margarita Azurdia, Please Take Your Shoes Off, 1970, Photographic documentation of interactive installation. Realized at the II Coltejer Biennial, Medellín, Colombia
Image: Screen Shot 2018 04 22 At 12.28.15 Pm (binary/octet-stream)	Ana Mendieta, Untitled (Facial Cosmetic Variations), 1972, Color photographs
Image: Screen Shot 2018 04 22 At 12.16.17 Pm (binary/octet-stream)	Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970, Coca-cola bottle and transferred text
Image: Screen Shot 2018 04 22 At 12.23.55 Pm (binary/octet-stream)	Victoria Cabezas, Untitled, 1973, Photographs
Image: Screen Shot 2018 04 22 At 12.24.00 Pm (binary/octet-stream)	Victoria Cabezas, Jardin de las delicias (Garden of delights), 1973, Mixed media
Image: Screen Shot 2018 05 04 At 5.00.14 Pm (binary/octet-stream)	Juan Downey, Video Trans America, 1973–76, Fourteen-channel video and vinyl map
Image: Screen Shot 2018 04 22 At 12.28.22 Pm (binary/octet-stream)	Ana Mendieta, Image from Yagul, 1973, Color photograph
Image: Screen Shot 2018 04 22 At 12.16.29 Pm (binary/octet-stream)	Cildo Meireles, Zero Cruzeiro, 1974–78, Offset lithograph on paper
Image: Screen Shot 2018 04 22 At 12.30.12 Pm (binary/octet-stream)	Regina Silveira and Julio Plaza, Brush Technique, 1974, Screenprint and ink on paper
Image: Screen Shot 2018 04 22 At 12.16.23 Pm (binary/octet-stream)	Cildo Meireles, Insertions into Ideological Circuits: Banknote Project (Who Killed Herzog?), 1975, Banknote and ink
Image: Screen Shot 2018 05 04 At 5.00.18 Pm (binary/octet-stream)	Anna Bella Geiger, Native Brazil, Alien Brazil, 1977, Series of nine pairs of postcards
Image: Screen Shot 2018 04 22 At 12.24.06 Pm (binary/octet-stream)	Sandra Eleta, Edita (the one with the feather duster, Panama), 1977, from the series Servitude, 1978– 89, Black and white photograph
Image: Screen Shot 2018 04 22 At 12.18.09 Pm (binary/octet-stream)	CADA (Art Actions Collective), Not to Die of Hunger in Art, 1979, Performance/Action
Image: Screen Shot 2018 04 22 At 12.19.48 Pm (binary/octet-stream)	Alfredo Jaar, Studies on Happiness, 1979–81, Billboards, Santiago, Chile
Image: Screen Shot 2018 04 22 At 12.22.52 Pm (binary/octet-stream)	León Ferrari, Neighborhood, 1980, Heliographic copy
Image: Screen Shot 2018 04 22 At 12.19.54 Pm (binary/octet-stream)	Luis Camnitzer, Her Fragrance Lingered On, from The Uruguayan Torture Series, 1983, Photo etching
Image: Screen Shot 2018 04 22 At 12.26.33 Pm (binary/octet-stream)	Los Bestias, Des-hechos en arquitectura (Remnants or Unmakings of Architecture), 1984, Installation, Universidad Ricardo Palma, Lima
Image: Screen Shot 2018 05 04 At 5.00.23 Pm (binary/octet-stream)	Leandro Katz, Tulúm after Catherwood from The Catherwood Project, 1985, Gelatin silver print
Image: Screen Shot 2018 04 22 At 12.19.59 Pm (binary/octet-stream)	Juan Trepadori/The New York Graphic Workshop, Untitled, n.d., Aquatint and photo etching
Image: Screen Shot 2018 04 22 At 12.22.44 Pm (binary/octet-stream)	Eugenio Dittborn, To Cloth (Airmail Painting no. 56), 1986-87, Ink, paint, and screenprint on kraft paper
Image: Screen Shot 2018 04 22 At 12.20.05 Pm (binary/octet-stream)	Alfredo Jaar, This is Not America (A Logo for America), 1987, Digital video disk color animation of spectacular sign at Times Square, New York
Image: Screen Shot 2018 04 22 At 12.30.18 Pm (binary/octet-stream)	Jac Leirner, Lung, 1987, Cigarette pack wrappers in Plexiglas box
Image: Screen Shot 2018 05 04 At 4.55.17 Pm (binary/octet-stream)	Cildo Meireles, Missão/Missões (How to Build Cathedrals), 1987, 600,000 coins, 800 communion wafers, 2000 cattle bones, 80 paving stones, and black cloth
Image: Screen Shot 2018 04 22 At 12.26.38 Pm (binary/octet-stream)	Studio NN, Mao Tse Tung, La carpeta negra, Lima (Mao Tse Tung, The Black Folder, Lima), 1988, Photocopy and screenprint
Image: Screen Shot 2018 04 22 At 12.26.44 Pm (binary/octet-stream)	Taller NN, Vallejo Destruction/Construction, 1989, Screenprint. As installed at the 3rd Havana Biennial in 1989
Image: Screen Shot 2018 04 22 At 12.28.27 Pm (binary/octet-stream)	Felix Gonzalez-Torres, Untitled, 1989, Billboard
Image: Screen Shot 2018 04 22 At 12.28.33 Pm (binary/octet-stream)	Felix Gonzalez-Torres, Untitled (Placebo), 1991, Candies, individually wrapped in silver cellophane (endless supply), Ideal weight 1,000–1,200 pounds
Image: Screen Shot 2018 04 22 At 12.30.27 Pm (binary/octet-stream)	José Leonilson, 34 with Scars, 1991, Synthetic polymer paint, embroidery thread and plastic tacks on voile
Image: Screen Shot 2018 04 22 At 12.30.22 Pm (binary/octet-stream)	On wall: Jac Leirner’s Names (Museums), 1992, Plastic bags and polyester foam on buckram On floor: Leirner, Corpus delicti, 1992, Ashtrays, boarding passes, airline tickets, chain, glass, and bubble wrap
Image: Screen Shot 2018 05 04 At 4.58.35 Pm (binary/octet-stream)	Doris Salcedo, The Widow House IV, 1994, Wood, fabric, and bones
Image: Screen Shot 2018 05 04 At 4.55.27 Pm (binary/octet-stream)	Pepón Osorio, Osorio, Badge of Honor, 1995, Mixed-media and video installation (detail)
Image: Screen Shot 2018 05 04 At 4.58.24 Pm (binary/octet-stream)	Oscar Muñoz, Breath, 1995, Metal mirrors, screen-printed with grease, 7 mirrors
Image: Screen Shot 2018 05 04 At 4.55.32 Pm (binary/octet-stream)	José Antonio Hernández-Diez, The Brotherhood, 1997, Metal structure, pork rinds, skateboard wheels, trough, and three video monitors on stands
Image: Screen Shot 2018 05 04 At 4.55.22 Pm (binary/octet-stream)	Adriana Varejão, Carpet-Style Tilework in Live Flesh, 1999, Oil, foam, aluminum, wood, and canvas
Image: Screen Shot 2018 05 04 At 4.58.40 Pm (binary/octet-stream)	Doris Salcedo, Noviembre 6 y 7 (November 6 & 7), 2002, Performance, Palace of Justice, Bogotá
Image: Screen Shot 2018 05 04 At 4.58.30 Pm (binary/octet-stream)	Muñoz, The Bridge: Two Video Projections, 2004, Video installation (detail), Ortiz Bridge and Cali River, Cali, Colombia
Image: Screen Shot 2018 04 22 At 12.20.12 Pm (binary/octet-stream)	Antonio Caro, Colombia Coca-Cola, 2010, Enamel on tin, Edition 10/11
Image: Screen Shot 2018 05 04 At 5.00.28 Pm (binary/octet-stream)	Still from Jonathas de Andrade, The Uprising, 2012–13, Video

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