20060009
Descripción
Fichas por yongtao wang, actualizado hace más de 1 año
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Creado por yongtao wang
hace alrededor de 5 años
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| Pregunta | Respuesta |
| Cubism | Cubism was a revolutionary new approach to representing reality invented in around 1907–08 by artists Pablo Picasso and Georges Braque. They brought different views of subjects (usually objects or figures) together in the same picture, resulting in paintings that appear fragmented and abstracted |
| Futurism | Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. It glorified modernity and aimed to liberate Italy from the weight of its past. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture, and even cooking. To some extent, Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada. |
| Alexander Archipenko cubism - employ the Cubist style in three dimensions -using faceted planes and negative space to create a new way of looking at the human figure, showing a number of views of the subject simultaneously. | |
| Aleksandr Rodchenko futurism -Translation of Suprematist ideals into three-dimensional space. - Early example of artists moving towards immersive art environments leading up to installation art in the 1960s. | |
| El Lissitzky futurism -Translation of Suprematist ideals into three-dimensional space. -Early example of artists moving towards immersive art environments leading up to installation art in the 1960s. | |
| Georges Braque cubism -Analytical cubism- the first stage in the movement -Characterized by the effort to see all sides of a subject at the same time | |
| Georges Braque cubism -He had moved away from his early Fauvist style -painting has incorporated the use of bright, expressive colour and was beginning to use more geometric shapes like Cezanne. | |
| Georges Braques cubism -Analytical cubism- the first stage in the movement - used harsh lines and sharp-pointed complexity of the cubist style | |
| Giacomo Balla futurism -It was influenced by the artist's fascination with chronophotographic studies of animals in motion. -introduction of techniques to show motion, such as blurring, multiplication, and superimposition of body parts—in an effort to imitate these mechanical images. | |
| Giacomo Balla futurism Italian Futurists were influenced by the formal techniques of cubism but were particularly interested in representing the speed and dynamism of modern cities and technologies. | |
| Kazimir Malevich Suprematism – Attempt to move beyond any form of representation. -Creating objects that are “meaningless” but create powerful experiences. | |
| Luigi Russolo futurism -The instruments were completely acoustic, not electronic. The boxes had various types of internal construction to create different types of noise -Most of Russolo's instruments were destroyed in Paris when that city was bombed during World War II | |
| Marcel Duchamp cubism -The painting combines elements of both the Cubist and Futurist movements. -the serial depiction of movement goes beyond Cubism in its attempt to map the motion and energy of the body as it passes through space. | |
| Natalia Goncharova cubism -Universal suffrage (the right of all people to vote) didn’t happen in much of the world until after WWI. -The bicycle was important for women’s freedom and autonomy at the turn of the century. | |
| Naum Gabo cubism (Constructivists) - A method known as 'stereometric construction' was central to Gabo's work, by which form was achieved through the description of space rather than the establishment of mass. -Russian Revolution-hey saw an artistic renewal as part of the revolution and embraced new scientific theories and industrial materials | |
| Olga Rozanova -futurism-(Suprematism) -It known as Green stripe anticipates the flat picture plane and poetic nuancing of colour of some Abstract Expressionists. -developed from the influences of Cubism and Italian Futurism, and took an entirely original departure into pure abstraction in which the composition is organised by the visual weight and relationship of colour. | |
| Pableo Picasso cubism -appropriation from African masks -multiple different vantage points all at once --depicts prostitutes | |
| Pablo Picasso cubism - Synthetic Cubism – the second phase of the movement. -Further flattening of the picture space, introduction of collaged elements. | |
| Pablo Picasso cubism Cubist paintings alter perspective, but they also add what poet, Guillaume Apollinaire, called a “fourth dimension”: time. | |
| Raymond Duchamp futurism - Horses are common imagery in Futurist work because horses represent power and the new human ability to harness power -In Horse, the horse has a very mechanical body. This body connects horsepower to mechanical power | |
| René Magritte surrealism -One of Magritte's most common artistic devices was the use of objects to hide what lies behind them. -that the imagery of Magritte's painting is real, while the painting on the easel is a representation of that reality | |
| Umberto Boccioni cubism -The focal point of the picture is provided by movement itself - the locomotive, the airplane, the automobile: modern machines that gave new meaning to the word "speed. -Boccioni captures the dynamism of movement and chaos, depicting people being consumed by, or fused with, the steam from the locomotive as it whizzes past. | |
| Umberto Boccioni futurism -this painting is considered the first true futurist work by Umberto Boccioni -Boccioni thus emphasizes some of the most typical elements of futurism, the exaltation of human work and the importance of the modern town, built around modern necessities | |
| Umberto Boccioni futurism -It is seen as an expression of movement and fluidity -Boccioni's work was in plaster, and was never cast into bronze in his lifetime. | |
| Vladimir Tatlin Constructivism -As in Cubism and Suprematism, reduction of art object to abstraction and ”pure” geometrical forms. - Constructivism was an attempt to create a socialist form of art – reduced to simple forms, representing the construction of an ideal, classless society. |
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