4950706
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Fichas por anna romanofsky, actualizado hace más de 1 año
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Creado por anna romanofsky
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| Pregunta | Respuesta |
| Woman from Willendorf Pre-history 24,000 BCE (Upper Paleolithic) Limestone. Height 11cm. Natural History Museum, Vienna, Austria pregnancy, fertilitysexuality, stylized hair | |
| Woman from Brassempuoy Pre-History C. 30,000 BCE, Ivory Height: 1 1/4 inch Landes, France, stylized hair | |
| Two Bison. Le Tuc d’Audoubert Cave. ca. 13,000 BCE. Ariège, France. Clay, length 23 5/8” (60 cm). Janson 1.12 | |
| Bear. Recess of the Bears, Chauvet Cave. ca. 30,000–28,000 BCE. Vallon-Pont-d’Arc, Ardèche Gorge, France. Janson 1.2 simple outline, very little attempt to model, humans didnt live in cave where they painted, generally high up | |
| Wounded Bison. ca. 15,000–10,000 BCE. Altamira, Spain Janson 1.1 spanish symbol, excavtd by a man and his daughter | |
| Hall of the Bulls. Lascaux Cave. ca. 15,000–13,000 BCE. Dordogne, France. Janson 1.8 painted in profile, all legs are visible, hard to reach, varnish from cave droplets | |
| Rhinoceros, Wounded Man, and Bison. Lascaux Cave. ca. 15,000–13,000 BCE. Dordogne, France. Janson 1.4 part human part animal, iconising bulls and animals as great, not natural, act of painting more important than the painting | |
| Chinese Horse. Lascaux Cave. Ca. 15,000-13000 BCE. Dordogne, France. Janson 1.3 weapons and traps on the horse, some coloring, rest left outline, | |
| Spotted Horse and Human Hands. Pech-Merle Cave. Dordogne, France. Horses ca. 16,000 BCE; Hands ca. 15,000 BCE; Limestone, approximate length 11’2” (3.4m)., dots were made by putting pigment on the palm and then on the wall, scratched limestone to reveal chalky whte then painted Janson 1.6 | |
| stele of naram sin soldiers looking up at him, bull horn cap=god pink limestone 2254-2218 BCStele of Naram- Sin , defeating enemies, hierarchy, stepping on enemies, already deceased falling down, bull worn helmet from the gods, god like | |
| Reconstruction of a hut, Mezhirich, Ukraine, 16,000-10,000 BCE. Janson 1.15 | |
| Plastered Skull. Jericho, Jordan. ca. 7000 BCE. Lifesize. Janson 1.16 | |
| Reconstruction of Çatal Hüyük, Turkey. Janson 1.19, high plateau flows to tigris river, ladders on roofs, climb through windows. no streets, | |
| View of Town and Volcano. ca. 6000 BCE. Wall painting, Shrine VII.14. Çatal Hüyük. Janson 1.20 gitalivia, | |
| yorkian islands cold, great for agriculture, House interior. laid flat on eachother, heating cooking fire, stone shelves and beds and cushions. Fatch= patch of leaves Skara Brae, House interior. scotland 3100-2500 BCE. Janson 1.23 | |
| 2 miles of stone, decreasing in size Menhir alignments at Ménec. ca. 4250–3750 BCE. Carnac, France. Janson 1.24 | |
| Stonehenge (aerial view). ca. 2100 BCE. Salisbury Plain, Wiltshire, England. Diameter of circle 97’ (29.6 m). Janson 1.25-26 | |
| People, Boats, and Animals, from tomb 100 at Hierakonpolis. ca. 3000 BCE. Wall painting, height 43.3” (110 cm). Janson 3.1 began to domesticate animals | |
| Palette of King Narmer (both sides), from Hierakonpolis. ca. 3150–3125 BCE. Slate, height 25” (63.5 cm). Janson 3.2 hierarchy of scale, hieroglyphs composite viewForhispart,theenemy,likethoseinthe bottom register , is stripped of clothing as an act of humiliation. Behindtheking,andstandingonhisownground-line,an attendant carries the king s sandals. Hieroglyphs identify both the sandal-carrier and the enemy . T o the right of Narmer appears a falcon resting on a papyrus stand, which grows from a human- headed strip of land; the falcon holds a rope tethered to the face. Ontheothersideofthe Palette (ontherightinfig.3.2), Narmerappearsinthehighestregister ,nowwearingthered crown of Lower Egypt. Flanked by the sandal-carrier and a long- hairedfigure,hefollowsfourstandard-bearerstoinspectthe decapitatedbodiesofprisoners,arrangedwiththeirheads between their legs. In the larger central register are two animals, | |
| Relief Panel of Hesy-Ra, from Saqqara. ca. 2660 BCE. Wood, height, 45” (114.3 cm). Janson 3.13 As a high-ranking official and priest, Hesy-Ra bore several elite and pious titularies:[, dentist, cutter | |
| Ti Watching a Hippopotamus Hunt, Tomb of Ti, Saqqara. ca. 2510-2460 BCE. Painted limestone relief, height approx. 45” (114.3 cm). Janson 3.16 composite image | |
| Imhotep, Step Pyramid and Funerary Complex of King Djoser, Saqqara. 3rd Dynasty, ca. 2681-2662 BCE. Janson 3.4 (plan, Janson 3.5) 200 ft high basically solid, 3rd dynasty. tomb of king djoser, | |
| Papyrus-shaped half-columns, North Palace, Janson 3.6 t this point, columns are engaged into wall rather than free-standing. They interpret the walls (give them life) through surface decoration. | |
| Group of mastabas (after A. Badawy). 4th Dynasty Janson 3.3 a flat-roofed, rectangular structure with inward sloping sides, constructed out of mud-bricks (from the Nile River) or stone. Tprevent robberies | |
| The Pyramids of Menkaure, ca. 2533–2515 BCE, Khafra, ca. 2570–2544 BCE, and Khufu, ca. 2601–2528 BCE, Giza. Janson 3.7, 3.8 stacked over and over again, smallest of the pyramids 220 tons, while the heaviest granite ashlars imported from Aswan weighed more than 30 tons. It | |
| The Great Sphinx, ca. 2570–2544 BCE, Giza. Sandstone, height 65’ (19.8 m). Janson 3.9 unknown reason, unequal degradation, said that napolean shot offf nose | |
| Khafra, from Giza. ca. 2500 BCE. Diorite, height 66” (167.7 cm). Janson 3.10 .Thisposeallowedhimtowatch andthustake part in rituals enacted in his honor; frontality gave him presence. Behindhim,thefalconHorusspreadshiswingsprotectively around his head. Like the Palette of King Narmer, this sculpture neatly expresses qualities of kingship. Horus declares the king his earthly manifestation and protégé, and the king s muscular form indicates his power . The smooth agelessness of the latter s face bespeaks his eternal nature, while the sculpture s compact form gives it a solidity that suggests permanence | |
| Menkaure and His Wife, Queen Khamerernebty II, from Giza. ca. 2515 BCE. The artist depicted Menkaure and his queen with several char- acteristics in common. Of almost identical height, both are frozen in a motionless stride with the left foot forward. Though the king is more muscular than Khamerernebty , and though she is draped in a thin dress hemmed at her ankles while he is half nude, smooth surfaces and a high polish characterize both bodies. Menkaure s | |
| Sculpture of Prince Rahotep and His Wife, Nofret. ca. 2580 BCE. Painted limestone, height 47 ¼” (120 cm). Janson 3.12 | |
| Seated Scribe, from Saqqara. ca. 2400 BCE. Limestone, height 21” (53.3 cm). Janson 3.15 | |
| Musicians and Dancers, fragment of a wall painting from the Tomb of Nebamun, Thebes. 1350 BCE. Height 24” (61 cm). Janson 3.33 | |
| Temple of Hatshepsut, Deir el-Bahri. ca. 1478–1458 BCE. Janson 3.24-3.25 | |
| Hypostyle Hall of Temple of Amun-Ra, Karnak, Thebes. ca. 1290–1224 BCE. Janson 3.27-3.28 | |
| Temple of Ramses II, Abu Simbel. 19th Dynasty. ca. 1279–1213 BCE. Janson 3.30-3.31 Cover of the coffin of Tutankhamen. 18th Dynasty, ca. 1333 BCE. Gold, height 72 (182.9 cm). Janson 3.40 | |
| Praxiteles, Aphrodite of Knidos. Roman marble copy after original of c. 350-340 BCE. Approx. 6' 8" high. Praxiteles, Aphrodite of Knidos | |
| Praxiteles, Hermes and Infant Dionysus | |
| 350 bc Lysippos, The Scraper | |
| Alexander the Great Confronts Darius II at the Battle of Issos. 1st century CE floor Mosaic from Pompeii, Italy, copied after a Greek painting of c. 310 BCE, perhaps by Philoxenos or Helen of Egypt. Museum Archeològico Nazionale, Naples. Alexander the Great Confronts Darius II | |
| Hall of Bulls, Lascaux Caves C. 15,000 BCE. Paint on Limestone. Length of largest bull (auroch) 18' | |
| Sleeping satyr (Barberini Faun) c. 230-200 BCE. Marble, approx. 7' 1" high. Sleeping Satyr | |
| Dying GaulEPIGONOS(?), Dying Gaul. Roman marble copy after a bronze original from Pergamon, Turkey, ca. 230-220 BCE, approx. 3' 1/2" high | |
| Aulus Metellus, found near Perugia. Late 2nd or early 1st century BCE. Bronze, height 5’11”. Museo Archeològico Nazionale, Florence. Aulus Metellus | |
| arch and vault barrels and 1st century Pont du Gard, Nîmes, France | |
| Augustus of Primaporta, early 1st century CE (Marble, originally painted, perhaps a copy of a bronze statue of c. 20 BCE). height 6' 8”. Augustus of Prima Porta | |
| 13–9 BCE. Altar of Peace including Imperial Procession) | |
| Various Roman mosaics | Various Roman mosaics |
| Roman wall paintings (all styles) | Roman wall paintings (all styles) |
| added base to columnColosseum, Rome, 72–80 CE. Construction began under the rule of Emperor Vespasian and would come to an end during the rule of his son, Titus. Flavian Amphitheater (Colosseum) | |
| marble, c. 81 CE. Arch of Titus | |
| Pantheon | |
| Marcus Aurelius M arcus Aurelius, c. 176 CE. Bronze, originally gilded, height of statue 11' 6”. | |
| Arch of Constantine 312 f political propaganda, presenting Constantine as a living continuation of the most successful Roman emperors, renowned for their military victories and good government | |
| Hadrian Hunting Boar and Sacrificing to Apollo; and Constantine Addressing the Roman People in the Roman Forum) | |
| Aphrodite of Melos (Venus de Milo), c. 150-125 BCE. Marble, height: approx. 6' 8”, Louvre, Paris. | |
| Constantine the Great, 325–326 CE. From the Basilica of Maxentius and Constantine, Rome. height of head 8' 6”. |
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