2565927
Bollywood and its representation of the Muslim 'other'
- Motivational text: The representation of the Muslims across different periods in the history of Bollywood
- Colonial period (1913 - 1947)
- the following genres
amongst others were
famous during this
period
- Mythological genre
- Devotional genre
- Social genre
- The only genre where Muslims were depicted
- The only genre where Muslims were depicted
- Mythological genre
- the following genres
amongst others were
famous during this
period
- Post-colonial period (1947 - late 1980s)
- 'Muslim' social genre
- Muslims as part of Indian nation and history
- Muslims as part of Indian nation and history
- Amitabh Bachchan ruled the movies in 70s and 80s
- In his movies, Bachchan played the role of someone who is a Hindu and a Muslim
- In his movies, Bachchan played the role of someone who is a Hindu and a Muslim
- 'Muslim' social genre
- Post-liberalization (late 1980s - now)
- New consumer market
- Western influences
- Digitalization
- New ways of financing and new distribution
- Hindutva Movement (Hindu nationalist)
- More formulaic movies
- Muslims as terrorist and fundamentalists
- Muslims as terrorist and fundamentalists
- New consumer market
- Because Bollywood has such an extensive repertoire of movies I will only choose the following movies while referring to others as further examples
- Elan (Mehboob Khan, 1947)
- Mughal-e-Azam (K. Asif, 1960)
- PK (Rajkumar Hirani, 2014)
- Elan (Mehboob Khan, 1947)
- Colonial period (1913 - 1947)
- AV-essay
- Poetic
- Images speak for themselves
- Images speak for themselves
- Explanatory
- Voice-over
- Text+image
- Voice-over
- My video essay will contain elements of both poetic and explanatory modes of av-essay
- Images depicting Muslim characters and/or Islamic culture
- Maybe images of Hindus for comparison
- Explaining the shift in the
representation of Muslims
across different periods and
how this 'othering' of the
Muslims takes shape
- What does this mean? / What do we learn?
- What does this mean? / What do we learn?
- Language (for
example in lyrics)
- Clothing
- Performance (qawwali)
- Films that are going to be used as material for editing
- Elan (Mehboob Khan, 1947)
- Mughal-e-Azam (K. Asif, 1960)
- PK (Rajkumar Hirani, 2014)
- Elan (Mehboob Khan, 1947)
- Maybe images of Hindus for comparison
- Voice-over explaining the
images (only when the
images are not sufficient
enough to speak for
themselves)
- Text (if necessary)
- Music score(s) (from the movies mentioned above)
- Supercuts
- Split-screen
- Images depicting Muslim characters and/or Islamic culture
- Poetic
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