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The Media and Crime
Descripción
A Levels Sociology Mapa Mental sobre The Media and Crime, creado por s0014657 el 18/12/2013.
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sociology
sociology
a levels
Mapa Mental por
s0014657
, actualizado hace más de 1 año
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s0014657
hace casi 11 años
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Resumen del Recurso
The Media and Crime
Williams and Dickinson
British newspapers devote up to 30% of their news space to crime
They give a distorted image of crime, criminals and policing
Ditton and Duffy
found that 46% of media reports were about violent or sexual crime, yet only 3% of all crime recorded by the police
The media over represents violent and sexual crime
The media portray criminals and victims as older than those found in the criminal justice system
Felson
"the age fallacy"
Media coverage exaggerated police success
Risk of victimisation to white, high status women
Media overplay extraordinary
Felson
"the dramatic fallacy"
Media give impresson that to commit crime, one needs to be daring and clever
Felson
"the ingenuity fallacy"
Schlesinger and Tumber
in the 60's the focus was on murders
in the 90's murder was less interesting to the media
1990's introduced drugs, terrorism, football hooliganism and mugging into the media spotlight
Soothill and Walby
newspaper reporting of rape cases has increased
the representation of the offender was that of psychopathic strangers
"sex friends"
however in most cases the perpetrator and the vitime knew each other
Stan Cohen
argues that a story becomes newsworthy because of new values
a) Immediacy
b) Dramatisation
c) Personalisation
d) Higher status person and celebrities
e) Simplification
f) Novelty or unexpectedness
g) Risk
h) Violence
Factual Representations of Crime
Mandel
both fiction and factual reports of crime influence our view
From 1945 to 1984 over 10 billion crime thrillers sold
Surette
calls the representaion of fictional crime and victims - the laws of opposites
1. Property crime is under represented
2. Real life homocides result from sights and domestic violence
3.Fictional crimes are committed by psychopaths rather than friends or family
4. Fictional cops always get their man
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