And The Glory Of The Lord - G.F. Handle

Descripción

GCSE Music Mapa Mental sobre And The Glory Of The Lord - G.F. Handle, creado por Anya Riley el 12/05/2016.
Anya Riley
Mapa Mental por Anya Riley, actualizado hace más de 1 año
Anya Riley
Creado por Anya Riley hace más de 8 años
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Resumen del Recurso

And The Glory Of The Lord - G.F. Handle
  1. Melody
    1. Four main ideas
      1. Each idea relates to a particular part of the text
        1. One uses squence
          1. One has a short repeated motif
            1. One is made up of long repeated As
              1. Idea - 1 - syllabic - One note per syllable
                1. Idea 2 - melismatic - More than one note per syllable
                2. Each melodic idea is contrasting
                3. Harmony and tonality
                  1. Major throughout
                    1. Gives it a bright, joyous mood
                    2. Modulation to dominant and dominant of the dominant
                      1. A major
                        1. E major
                          1. B major
                          2. Marked by frequent cadences which reinforce the key
                            1. Piece ends with a plagal cadence
                            2. Dynamics
                              1. Terraced
                                1. Common in Baroque period
                                2. Often determined by the number of parts playing at the give point
                                  1. Piece starts in piano during the orchestral introductions
                                    1. Piece ends with a dramatic rest followed by a fortissimo cadence
                                    2. Texture
                                      1. 1st vocal entry is monophonic
                                        1. much imitation throughout
                                          1. Some doubling of parts
                                            1. "For the mouth of the Lord"
                                            2. Final cadence is homophonic
                                              1. Texture is constantly changing
                                              2. Mood
                                                1. Baroque music tends to have one prevailing mood for the whole piece or 'affection'
                                                  1. Mood is joyful
                                                    1. Reinforced by
                                                      1. Major tonality
                                                        1. Sprightly tempo
                                                        2. 3/4 metre
                                                      2. Knowledge
                                                        1. From Messiah
                                                          1. Written in 3 weeks
                                                          2. 1742
                                                            1. Messiah is an oratorio
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