akram bangladeshi british
larbi flemish and moroccan
strip of light - inbetween
Life and Death
Nota:
dummies on different levels being pulled
khan in the middle (no zone) with larbis lament - mourning atmosphere
convulsing personifies his struggle to deal with the death
duality/mutation
Nota:
reflected in the use of the dummies and the shadows on the white cyclorama... whirling devils turns
talking at the beginning
dummies
Text on the train where Larbi becomes the chair
Starting point
Death of Passenger
SECTION 1 (prologue) speech tells narrative
journey
on a train
Nota:
box steps swinging arems
seen in sacred monsters (2006)
Working with Larbi (collaboration)
Nota:
khan has history of collaborations
Attack and Block
bouncy ball
shadow section
Nota:
Sufi turnsfluidity rollsshows mutation and duality
arms in section 2
Sidi Larbi
stylistic features
extreme flexibity
Nota:
larbi solo- rolls using hyperflexible spine keeping head in same space
bouncy ball - rebounding
- falls into splits - hamstring- uncomfortable to watch
attack and block - walk over
flexibility in his spine
fluidity
Nota:
section 2 - arms (experimental)
attack and block - continuous flow of movment
bouncy ball - continuous movement - rebound effect
solo - moving his feet around his head into a bridge and walks forward - contortionism
- doesnt hit one movement
Eclectic fusion of styles
yoga
Nota:
solo
bouncing ball
head stands and balances
martail arts
Nota:
attack and block
hiphop
Nota:
freezes on his head in his solo
contemporary
Nota:
arms section
shadow section - post modern influence - experimental
ballet
Nota:
bouree on point in solo
Collaborations
nitin sawhney
Antony Gormley
Eastman
Cedar lake
Les Ballet C de la B
Patrizia Bovi
dutch National Ballet
Osamu Tezuka
Shantala Shivalingappa
Akram Khan
Damien Jalet
Shaolin Monks
Experimental Choreography
Nota:
monks
arms section - Zero Degrees
orbo novo alphabet quote
faun dancers contibute to process
improvisation
Nota:
Don Don - young monks playing with set
faun
accompaniment
music before movement
polyphonic singing
not using popular music
physical setting
AKRAM KHAN
stylistic features
extreme speed
fusion of kathak and contemporary
Kathak
Nota:
Sufi turns - fast spins
mudra - slicing arm gestures