47. – 50. SORULARI, AŞAĞIDAKİ PARÇAYA GÖRE CEVAPLAYINIZ.
Sometimes great minds do think alike. On Tuesday, the Guardian's picture system was bursting with 25,000 images by 5.30pm. I'm sure over at News International, the Times had a similar number or more. But, despite having so many pictures to choose from, both papers had the same rather beautiful picture on their front pages on Wedsnesday. Associated Press photographer Muhammed Muheisen shot the picture, a portrait of Iaiba Hazrat, six, a refugee from Afghanistan living in a slum in Islamabad. It was from a series of 21 portraits of Iaiba and other refugee children all shot in Muheisen's quiet, direct, artless style. He seems to have a natural rapport with his subjects and he is one of our favourite contributors from that part of the world, documenting the poorer people, on most occasions children; who are sometimes playing or often working, but trying to have a childhood. The Times picture desk obviously feel the same about him, but still it seems extraordinary that both picture editors chose the same picture out of the set: a dirty-faced girl with red hair. Guardian picture editor, Fiona Shields says, "We chose that child for the extraordinary depth of expression in her eyes." In these, as in most of Muheisen's images, the main subject is looking straight at the camera, at the viewer, making it so hard to ignore their " plight. "
But among so many pictures, good photography shines out, as always.
Which of the following points is emphasized in the passage?
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