PART II

PART II

SYNTHESIS EVALUATION
1. audoi rate / control rate
  1. audio rate
    1. nyquist
    2. number of microseconds
    3. do table
  2. control rate block size
    1. super collider - 64 - arduinno determined by the ADC CONVERSION RTE
TEST PROPOAL
1. METHODOLOGY
  1. TEST A
    1. SUPER COLLIDER
      1. waveform
      2. envelope
      3. delay line
  2. TEST B
    1. ARDUINO
      1. ATmega8
      2. ATmega32
        STM32
        DUE X2STEREO
      3. iMx6solo ARM cortex a(MP core
TO DO
1. 1 ARDUINO FILES
  1. MEMORY - STACK
  2. LOOP TIME
  3. DIRECT MEMORY ACCESS
  4. NUMBER OF STATE VARIABLES
2. ADD PULSAR SYNTHESIS TO THE MESO AND GLOBAL SECTGIONS ESP DUTY AND SILENCE AND FUNDAMENTAL PULSE RATE
There exists a wide range of approaches to sound synthesis, within the framework of Granular Synthesis. Techniques have been used and developed since the early twentieth century, in techniques that grouped together characterize each implementation forming branches of Granular Synthesis. Since before even Gabor, Ezra Pound (1910) and Henry Cowell developed the “Great Base” theory, highlighting the shared mathematics, that describes the continuity between rhythmic divisions and tonal harmonics in musical form. This then radical idea, together with the theory and usage of Analog Impulse Generators in early electronic music, forms the background to methods that utilize the differences in our perception of sound on different timescales, such as Pulsar Synthesis.

Resource summary

	Created by gpud over 9 years ago