Eleanor Knott only body of
contemporary Irish
literature
Allowed students and teachers to gain
privilege and status
Bardic poet part of the educated class
The most distinctive aspects of Gaelic Irish society
tradition - restrict certain professions to certain
families
Hereditary bardic families ran schools of
history and poetry
Once trained in their trade, sought the
patronage of powerful clans
Gaelic society - lineage and status NB for
land and power
patronage of hereditary bardic families
was NB for ambitious lords
preserve the memory of great men and
great deeds of the past
expected to write praise poems about
their patrons
raise their patron’s to a similarly heroic level
Patronised by both Gaelic and Anglo Irish lords
(Fitzgerald and Butler)
Official English documents..."generosus"
English LD, Sir John Perrot, commissioned Irish bards to
“adorn and beautify the virtue of the English monarch”
The English poet, Edmund Spencer, commented that the
bardic poems were “of sweet wit and good invention”
Bardic poet = part of the educated elite
held in high esteem
Poems of the bardic schools =
unique - purpose and discipline
composition and metre
noted for their skill and intricacy
highly technical work of the professional learned class
schools from which they came were of great social and cultural importance
Celebrated hereditary bardic families
conducted bardic schools for several
generations
central figure of the bardic school was the
ollamh or professor
When he moved the school went with him
Often went on circuits from chieftain to chieftain
Memoirs of the Marquis of Clanrickard - 18th C
info on the structure and operation of schools
Admission confined - those descended from poets
or who had “the reputation for poetic learning and talent”
Poets of the bardic schools were both born and made
qualifications first required were; reading well,
writing the mother-tongue and a strong memory
Training took place in residential schools
during the winter months from the
beginning of November until the end
of March
When the cuckoo’s voice was heard the school
broke and the students returned to their homes.
Learning process was rigorous
and exacting
involved years of
intense training
lasted between 7 and 12 years
Students tested with examinations, divided
into classes according to their abilities
Aspiring bards studied history, law, language and literature
Taught to compose poetry in
various rigid metre
Committed genealogies and sagas
to memory
Learned the skills of praising patrons
Bardic schools were “far out of
the reach of any noise”.
buildings were snug, low and hot
Without much furniture except a
table and some seats
No windows let in the light except from candles
Ollamh would give the students a topic
worked on topics alone then committed them to writing
Ollamh decided...students move on new topic or rework first attempt
Saturday and eve of festivals students went among the people
People entertained them and gave them hospitality
people also provided for schools with provisions
Completion of intense training and being
considered accomplished
Bardic poet set about travelling through Ireland
With their wealth of scholarship and literary sophistication
Sought out the patronage of chieftains who would support them
Bardic poetry = highly valued instrument for maintaining family reputations
Commodities that could be bought and sold
Important chiefs saw them as fashionable portraits in verse
conferred status and they could bring quick profits for the poet
poet’s trade to flatter and his livelihood
depended on the rewards for his efforts
Patronage system required him to “record in good metre” a record
marriages, births, deaths, exploits and
achievements of his patron and his family
Career pinnacle = become the chief poet
of a great lord
Bard praised patron’s hospitality, bravery
and wisdom
Bard might receive land, rent free, as a reward for
compositions
Relationship between poet and patron was strong
Prime position the poet held during the
inauguration of his chief
Also acted as a chief’s advisor
Bards = very powerful...chiefs rewarded them well
Battle rolls and lists of victories
also recorded
rarely names of defeated families included
preserved relations between poet and any other
chief they might one day come to depend
O’Dálaigh described the function of the
bardic poet with an amount of cynicism
“In poetry for the English we promise that the Gael shall be
banished from Ireland. While in poetry for the Gaels we promise
the English shall be hunted across the sea”
lords also feared the poet’s power of satire
A poet’s disapproval expressed in verse was much feared
The bard would run some risk for
his satire
Lord might deprive bard of land
turn him in to a homeless exile
not exclusively attached to a
single chief or family
Tadhg Dall O’hUiginn...land from Cathal O’Conner of Sligo
Brought him to the attention of more powerful chiefs such
as the O’Donnell and the O’Neill
Tadgh Dall lived at the high point of the
bardic tradition
Knott....a better representative of Irish bardic poetry could
not be found
Verses show a mastery for forms and
style which has rarely been excelled
Met his end as a result of his satire
Accused O’Hara’s of abusing his
hospitality in one of his poems
took offence and cut out his tongue
When addressing a lord other than his
own he would include a stanza in praise of the latter
preserved by the family of the chief being
addressed
not uncommon for the additional stanza
to be omitted by the transcriber
Every family would keep collections
of the elegies of its members
Size of lord’s poem book or Dúanaire = indicator
of generosity and prowess
obituaries...size of the deceased Dúanaire = commented on.
English officials credited bardic poets with
power for mischief
Offered advice but also gave
offence and provocation
commented on arrival of newcomers and the
reception, hospitable or hostile, that they received
Knott questioned political power...claims it has been over rated
Changes in bardic poetry offer insight into changes in Gaelic society
16th C poetry = proud and
confident
Anti-poet statute in 1549
LD, John Perrot decreed “all bards, rhymers and common idle men are to
be spoiled of all their goods and to be put in stocks until they leave that
wicked trade and fall to another occupation”
Suffered after Flight of the Earls
Period of plantation many bards went down market
less attention on strict rules of metre
Hawked wares to wider audience to survive
17th C tone and content changed
lamented passing of the
great houses and their own influence