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Criado por Allison Walker
quase 5 anos atrás
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Questão | Responda |
Methodological Individualism | all social realities are the result of individual actions and interactions. |
Functionalism | The study of history based on a society's functions. |
Social Structure | any relatively stable pattern of social behavior |
Primary Codes of Communication | oral, written manuscripts, printed, electronic |
Ritual Performance | Abydos passion play |
Abydos passion play | slaying of Osiris and his followers by his brother Seth, the enactment of which apparently resulted in many real deaths. The ritual commemorates a big battle where the fifth son tries to rebel and gets sacrificed. |
Commemorative drama | Performance to honor or appease higher beings |
Moira | fate |
Arete | Honor and standing in a community |
Dike | Justice: the due share that each individual can claim and, more importantly, the principles and laws that guarantee that claim. (A system of justice) |
Democracy | Government by the people |
Delian League | Military alliance led by Athens |
City Dionysia | Ancient dramatic festival in which tragedy, comedy, and satyric drama originated; it was held in Athens in March in honour of Dionysus, the god of wine. |
Theatron Dionysia | The place where the City Dionysian plays were presented and seen. |
tradgedy | A human being facing the world. |
Dithyramb | a wild choral hymn of ancient Greece, especially one dedicated to Dionysus |
Myth | A traditional story about gods, ancestors, or heroes, told to explain the natural world or the customs and beliefs of a society. |
Choregoi | wealthy citizens who were "asked" to fund performances |
Ekkyklema | platform on wheels used to bring out characters from inside the building |
Machina | Crane for flying gods |
Deux ex Machina | an unexpected power or event saving a seemingly hopeless situation, especially as a contrived plot device in a play or novel. |
Pinakes | A kind of painted flat used for scenery |
Periaktoi | A three sided prism that could be turned to represent three different scenes. |
Satyr | Half man half goat |
Chorus | A group of characters in Greek tragedy (and in later forms of drama), who comment on the action of a play without participation in it. |
Chiton | A Greek tunic, the essential (and often only) garment of both men and women, the other being the himation, or mantle. |
Aulos | a double flute used for tragedies |
Lenaia | Another festival in honor of Dionysus, originally a festival closed to all but followers of the Dionysian cult but later opened to all; primarily associated with the development of comedy which was the major form of drama performed at this festival |
Kothornos | Large platform shoes worn by greek actors |
Old Comedy | Classical Greek comedy that pokes fun at social, political, or cultural conditions and at particular figures. |
Prologue | Proposing the Outrageous idea |
Parados | the entrance of the chorus |
Agon | debating the Outrageous Idea |
Parabasis | Chorus speaks directly to the audience on a topic thematically related to the Outrageous Idea. |
Episodes | Validating the Outrageous Idea (a series of revue-like sketches) |
The Poetics | The rules and principles of poetry developed by Aristotle. |
Mimesis | imitation, in the sense of making a representation, an image, or a model |
Magnitude | Greatness of size, strength, or importance/how an audience can relate to the play |
Catharsis | the purification or purgation of the emotions (especially pity and fear) primarily through art |
Peripeteia | a sudden reversal of fortune or change in circumstances, especially in reference to fictional narrative. |
Hamartia | a fatal flaw leading to the downfall of a tragic hero or heroine |
Inciting Incident | event that introduces the central conflict |
Crisis | The largest crisis point occurs in the middle of the play |
Resolution | is the point in which the plot ends. It does not necessarily end the play. Remember, it ends the conflict |
Plot | Sequence of events in a story that occurs onstage |
Denouement | the final part of a play, movie, or narrative in which the strands of the plot are drawn together and matters are explained or resolved. |
Aeshylus | Father of tragedy Used 2 actors plots focused on conflict specifically RIGHT v.s WRONG Athenian glory and military prowess (fought in the battle of Marathon). structure Gods onstage |
Sophocles | Greek writer of tragedies; developed modern day idea of a hero 3 actors being heroic wasn’t placed on wealth and power Being a hero was determined by how you responded to your fate and a person’s motivations over their actions never depicted the Gods onstage represented the Gods through messengers coming from Delphi or prophets like Teiresias. |
Aeschylus’s Nature of Tragedy | moves humanity toward a greater understanding and greater achievements (moves society and civilization forward). |
Aeschylus’s Honor | determined by greatness in battle. |
Sophocles’s Nature of Tragedy | depicted the suffering of an individual who, through heroic action, ennobles all humans and provides an ideal to which all humans can aspire to be. |
Sophocles’s Honor | determined by one’s service to the state and community. No longer determined by greatness in battle because during The Golden Age there were no wars. |
Euripides | "The first modernist" 2 actors focused on hypocrisy and dishonesty within Greek culture, especially within the Greek political structure. less metaphysical Greek myths as sources but made characters more relatable. A version where Electra married a farmer rather than living in a palace. Sometimes the Gods were depicted onstage.they represented the frailty of human morals. |
Euripides’s Nature of Tragedy | Humans are the cause of their own tragedies through greed for money and power. |
Euripides’s Honor | determined by being honest and noble (behavior and not by what people seem to be) |
Aristophones | only example of old comedy that has survived. His career corresponded with the Peloponnesian wars. only comedic playwright whose plays survived (all eleven) |
Rabinal Achi | a play of two Mayan tribes battling, capturing the leader of the other tribe. |
Metaphysics | How the world works |
Homer | A Greek poet, author of the Iliad and the Odyssey |
Thespus | introduced the actor, "thespian" |
Solon | Early Greek leader who brought democratic reforms such as his formation of the Council of Four Hundred |
Solon Laws | First official form of Justice |
Golden Age | period of great cultural achievement due to lots of money. |
Sophistry | The idea that the person who makes the best argument is right. |
Cleisthenes | Created the three democratic systems (Ekklesia, Boule, and Dikasteria) |
Boule | council of 500 citizens chosen for 1 year terms |
Dikasteria | Pool of potential jurists |
Pericles | Athenian leader noted for advancing democracy in Athens and for ordering the construction of the Parthenon. |
Motto of Athens | "All things in moderation." |
Stasima | choral odes |
Stroph | a mini debate among the chorus |
Antistroph | the opposing argument by the chorus to the stroph |
Kommos | sung solos |
Procession | Animalistic defile of rights |
Theatron | a seeing place |
Oresteia Trilogy | The only trilogy we have (written by Aeschylus): Agamemnon, The Libation Bearers, The Eumenides. |
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