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Descrição
FlashCards por Fabiola Alvarado, atualizado more than 1 year ago
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Criado por Fabiola Alvarado
quase 3 anos atrás
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| Questão | Responda |
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Men's wear 1625-1650
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Elongated, taller silhouette slimmer pants and shirts Love lock Falling Band collar Longer doublet Full white shirt Breeches Straight sole shoes *not pictured Balagny cloak |
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Men's wear 1650-1680
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silhouette gets shorter and wider Full white shirt Short open doublet Rhinegraves Latchet Strapped shoes *not pictured cannons |
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The vest
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Introduced in 1666 Gifted to King Charles II of England Changed men's clothing forever Tricorne Full white Shirt Cravat Open long coat Long Vest Short Breeches Straight soled shoes |
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Costume components for men
1680-1710
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Cravats Long white shirt Cassocks jack boots (not pictured) |
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Costume Component Women
1630-1660
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Chemise Underbodice with stomacher underskirt Underdress Gown Virago sleeves |
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What is highlighted by these arrows?
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Modeste (outer skirt) Secret (underskirt) |
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Women's costume 1660-1680
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longer waisted bodice, with V shaped front point Chemise Bodice Underskirt Outerskirt Jacket Whisk |
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Women's costume
1680-1700
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Fontage Mantua Decorative Corset Stomacher Petticoat |
| Baroque Architecture | dynamic movement, diagonals, counter reformation of the catholic church |
| What years are considered the 17th century | 1600-1699 |
| What is considered Age of Enlightenment ? | From 1650-1800 Affected the Renaissance, Baroque and Rococo period. |
| What did the age of Enlightenment emphasize? | Strong emphasis on science and rationalism Rejection of the church and tradition |
| Baroque | From 1600-1750 emphasized lavish ornamentation, free flowing lines, and flat and curved forms origin of the word meaning “irregularly shaped pearl” |
| Mannerism | late 16th century, end of the high renaissance... is the bridge between the renaissance and the baroque...reaction to the idealism of renaissance art... expands and exaggerates the human form to show dynamism and movement |
| What happened in 1615 that changed the textile industry? | East India Trading Company brings first cargo of cotton goods from India to England. |
| Cotton | Cheap & washable, quickly to become the fabric of our lives. |
| Chintz |
hand painting or printed fabric that was sometimes glazed, used for table and bed linens and eventually for clothing by latter half of the century.
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| Calico | at first referred to fine quality printed fabrics from Calcutta, India. Later the term referred to a wide variety of colorful, printed cotton fabrics of all qualities. |
| EUROPEAN/WESTERN COUNTRIES WITH ECONOMIC POWER ORIGINATE FASHION TRENDS | England France Spain American Colonists |
| Drawloom |
helped quicken the manufacture of elaborately figured silk fabrics.
In use in the late middle ages in Italy, and around the world by 1600
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| Mantilla |
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| Guardainfante |
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| Basques |
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| Falling band collar |
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| Balagny cloak | 1625-1650 circular cape with wide collar, worn over one shoulder by men - named after a popular military hero |
| Cassocks |
1625-1650 coats cut with wide, full sleeves that were wide throughout the body and ended at the thigh or below
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| Breeches |
from the word braies... replaced the word trunk hose by the 1620's
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| full white shirt | 1625-1650 men's chemise evolves into a full white shirt that is shown more |
| Lovelock |
1625-1650 one lock of hair grew longer than the rest for fashion - sometimes braided with a cute bow like this man here in the photo
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| Straight soles |
1625-1650 shoes with no shaping for left and right feet... much easier to make heels for but very uncomfy
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| Slap soles |
1625-1650 fancy soles attached to shoes that were essentially fancy flip flops but helped shoes with heels walk on everything - imagine Rihanna with her heels walking on the city grates
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| Hats with feathers vs. Capotains | Feathers would be used by supporters of the British royal family while capotains or plain hats would be used by puritans and people who did not support the royal family. |
| Canons |
1650-1680 full, wide ruffles attached at the bottom of breeches
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| Latchet Strapped shoes | 1650-1680 shoes with a buckle across the front |
| Cravats | 1680-1710 long narrow scarf like pieces separate from the shirt were worn instead of collars, stitched down in ruffle but just wrapped around the neck and in shirt |
| Tricorne | 1680-1710 flat hats with the brims turned up at three points, think pirate hat |
| Jack boots | 1680-1710 high, rigid boots made for horseback riding, made out of heavy leather |
| Whisk |
1660-1680 wide lace collar or band of linen on garments, similar to a falling band collar in that it replaced the ruff
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| fontange or commode |
1680-1700 device made of a series of ruffles held in place with wire supports
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| Pantofles | 1680-1700 heel-less slippers or mules |
| Pomander balls | small balls of perfume enclosed in decorated, perforated boxes that might be shaped like an apple for men and women |
| Plumpers | small balls of wax, in the cheeks to give the face a fashionably rounded shape for men and women |
| Patches | small fabric shapes glued to the face to cover imperfections or skin blemishes for men and women |
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