3901668
Descrição
FlashCards por Robin Haneland, atualizado more than 1 year ago
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Criado por Robin Haneland
aproximadamente 9 anos atrás
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| Questão | Responda |
| The story | Is the progression of incidents that occurs to our hero in pursuit of his one goal... |
| Questions: | What does the hero want? What hinders him from getting it? What happens if he does not get it? |
| Three essential elements | Hero/protagonist Their goal Conflicts or obstacles |
| Overcoming obstacles | Means that a hero needs to take action |
| The progression of a story | A story usually builds up it´s intensity till the end, where the protagonist either get what he wants or not |
| The concept | brief outline of the basic elements in the story, like an introduction to the script |
| The treatment | Description of the plot, written in present Writer can explain the plot structure Sketch in preparation for the screenplay |
| Beat sheet | Lists the narrative beats Short version of the treatment |
| The first draft from the author | First complete version of the screenplay Focuses on dialogue, setting and action Present tense |
| Characters in screenplay | They most externalize all their inner emotions and motivations through dialogue and and action |
| Shooting script | Always scene numbered, to make it easier to break down Holds more technical information, however it dose not exactly describe the directors Mise en Scene |
| Manifest destiny | The belief that you have the right to expand on someone else´s lessening Shown in the movie Plainsman |
| Invisible art | When the editing is not visible It makes the movie flow |
| Screenplays | Written in a specific standardized format |
| Story is | King |
| Aristotles distinguish two story telling types | Mimesis (Showing) and Diegesis (Telling) |
| Mimesis | Province of theatre |
| Diegesis | Province of novels |
| Movies | They have both, thus more complex |
| Story is pieced by how | Producers, executives, writers, stars |
| Preferred method when coming up with a story | Collaboration |
| What is the story? | The general subject of the film Covers protagonist, goal, conflict, setting It is short |
| What is the plot? | The structure the story hangs on, "it´s bones" |
| Why do Hollywood recycle stories? | Because they are proven winners |
| Movie stars akin what and why? | Genres Because the audience has expectations to each genre film Becomes satisfied with story and plot |
| Abnormal genres | Heist, Western, Musical |
| Opening scenes | Often begins with an inciting incident |
| When dose complications arise, mini-climaxes? | Every ten pages in most scripts |
| What is a whammy chart? | A tool that studios use to analyze scripts Every ten pages must have a mini climax |
| What is typical for midway? | Most classically structured movies has a turning point |
| What occurs after 80% of the story? | Usually the big climax or #1 climax occurs |
| Last scene consists of? | Second ending and a resolution |
| What is the B story? | A second story that follows through the film It resolves before the main story |
| "Slice of life" | Alternative to the classical narrative story Has a looser plot and no defined ending |
| Non-fictional narratives | Often has the genre documentary |
| Filmmaking is what? | It is highly subjective Even documentaries, since the filmmaker is portraying his point of view |
| Primitive Classical Parody | ???? |
| Genre films often what? | Draw on deep archetypal stories and myth |
| Writers | Important collaborates in the filmmaking process There are often many writers on one project, since they are brought in for specific reasons |
| Different writers | Some are good at dialogue, structure, comedy, giving feedback on other´s work |
| Writers are hired by studios for what | Develop scripts |
| Who calls the shots? | Producers, stars, directors all have a input, however the studio executives calls the shots |
| Some of the best directors do what? | Write their own scripts, sometimes with collaboration with writers |
| Some of these directors are: | D.W. Griffith, Orson Welles, Charles Chaplin, John Huston, Peter Jackson, Woody Allen |
| Most of the good directors | They have a hand in the script, but they don´t take credit |
| The screenplay | Gives minimal stage direction or angle info |
| The director supplies with the Mise en Scene | It gives added meaning to the words in the screenplay |
| Ideas | Need to flow naturally from the actor´s mouth Or be put with dialogue and images However, sometimes there are exceptions |
| Dialogue that what | Works is a joy to hear and Dialogue that is bad is torture to listen too, example Troy with Brad Pitt |
| Terse dialogue | Small talk, short dialogue Clint Eastwood, Gary Cooper are favouring this |
| Artful dialogue | Wordy dialogue, art Farrelly Bros, Woody Allen, Preston Sturges |
| Expository dialogue | Dialogue that is in the background of situations or characters |
| Most filmmaker´s goal with screenplay | Little or no expository dialogue |
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