CLASSICAL HOLLYWOOD FILM SCORE

FUNCTIONS
1. SUSTAIN UNITY
  1. POTENTIAL GAPS
    1. Narrative chain
2. EMPHASIZE NARRATIVE ACTION
  1. COORDINATION MUSIC AND IMAGE
3. CONTROL CONNOTATION
  1. FLESING OUT
    1. Mood
    2. Atmosphere
  2. ESTABLISHING
    1. Time
    2. Geographic place
4. DELINEATING CHARACTERS´SUBJECTIVITY
  1. CONNECT THE AUDIENCE
    1. Filmic world
    2. Appeal to emotion
  2. UNDERSCORING
    1. Music to accompany dialogue
COMPOSERS 1930
1. ROMANTIC IDIOM
  1. REMARKABLE
    1. ERICH KORNGOLD
      1. The adventure of Robin Hood (1938)
        LEITMOTIFS
        An example of classical scoring principles
        examples
        King Richard´s leitmotif
        Innocence of Maid Marian
        delicate melody
    2. ALFRED NEWMAN
      1. Withering heights (1939)
    3. MAX STEINER
      1. King Kong (1933)
2. OTHERS
  1. DIMITRI TIOMKIN
  2. FRANZ WAXMAN
  3. BRONISLAU KAPER
  4. MILÓS RÓZA
KEY ELEMENT
1. ROMANTIC IDIOM
  1. UNIFY THE SCORES
  2. PRIVILIGES MELODY
  3. DRAMATIC NEED
  4. UNDERSTANDLABLE TO AUDIENCES
  5. LEITMOTIF
  6. SYMPHONIC ORCHESTRA
  7. Accessible musical structure
    1. opposed to BAROQUE or MODERN music
MUSIC
1. Background
  1. Was rendered unobtrusive
MID-CENTURY
1. experimenting
  1. folk
    1. Symphony on a Hym Tune (Virgil Thompson)
  2. jazz
    1. FILM NOIR
    2. CRIME FILM
    3. associated
      1. URBAN DECADENCE
      2. IDEOLOGIES
        Race
        Gender
        Sexuality
2. structuring model
  1. SERIALISM
    1. Arnold Schoenberg
3. idioms
  1. MODERNISM
    1. Unconventional rhythms
    2. configurations of instruments
      1. INTIMATE
      2. UNSUAL
    3. HARMONIES
      1. DISSONANT
      2. ATONAL
  2. MINIMALISM
    1. Repetitive musical figures
      1. Disturb conventional notions of RHYTHM and TIME
    2. Emotional triggers
    3. Emotional response
4. COMPOSERS
  1. Aaron Copland
    1. Appalachian Spring , billy the kid
  2. Virgil Thompson
    1. Symphony on a Hym Tune
  3. REMARKABLE
    1. Silvestre Revueltas
      1. NATIONALISM
        TRADITIONAL MUSIC
        Let's go with Pancho Villa (1936)
    2. Leonard Rosenman's
      1. East of Eden (1955)
        Dissonant, atonal

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