Marriage seen as a
business
transaction - carried
out between a
father and husband:
"You have given me
to the husband
whom I am now sure
that I hate."
Emotions and actually love
have very little to do with
marriage: "fanciful, fantastic
or ... sentimental." (treated as
synonymous)
SISSY
Illustrates the caring
compassionate nature of
the ideal Victorian
woman
"I used to read to
him to cheer his
courage."
"I found her here
taking care of you
and cooling your
head."
Association with light
imagery symbolises her
goodness
'the once deserted girl
shone like a beautiful
light upon the darkness
of the other.' (similie)
'she seemed to receive a deeper and
more lustrous colour from the sun' (the
sun exposes good things in Sissy in
contrast to Bitzer - she is connected
with the sun's warm, nurturing rays)
RACHEL
Association
with religion
"Thou art an angel.
Bless thee, bless thee."
'as if she had a
glory shining round
her head.'
She allows Stephen to
recognise the better part of
his moral character - acts as
his guiding star
Altruistic + self-sacrificing
(embodies the 'angel of
the home')
'The creature
struggled and seized
her by the hair.'
"Tomorrow's work
is harder for thee
than for me."
MRS GRADGRIND
Irony that she isn't
as wise as her
huband
'invariable stunned by
some weighty piece of
fact tumbling on her'
'Mrs Gradgrind's stock of
facts in general was
woefully deficient .'
Representing women
recognising the truth: "There is
something ... that your father
has missed or forgotten."
BOUNDERBY'S MOTHER
- MRS PEGLER
Represents traditional view
of women as self-sacrificing
and loving
Even calls
Bounderby "my
dear boy."
"never thought it hardship
on themselves to pinch a bit
that he might right and
cipher beautiful."
'A Doll's House' - Ibsen
MARRIAGE - not Christian
ideal but another institution
making women
second-class citizens
"don't want, don't want - ?
Aren't I your husband?
"I passed from papa's
hands into yours"
Torvald talks about
forgiveness making Nora his
"property in a double sense."
"millions of women have done it' -
women expected to sacrifice
everything for their husbands
Women have to perform for their
husbands - Nora's performance
mirrored by the Christmas tree:
decorates it when she needs to
conceal her anxiety but when she
has been stripped of her facade it
stands 'stripped and dishevelled'
Women have no control
within a relationship -
all action takes place in
one room (Nora's prison)
+ Torvald's control
symbolised by doors and
letter box (only he has
the key)
The way women
are protected by
society actually
limits them
"I have broad
wings to shield
you"
"I've been your doll-wife
just as I was papa's doll
child."
"Our home has never been anything
but a playroom" - women not
educated sufficiently by society to
be good mothers
"suppose two ship-wrecked
souls could join hands?" - ideal
relationship is one of equality
"I must work if I'm to
find life worth living"
(imperative shows
importance)
Shirley - Charlotte Bronte
Strong women admired
Shirley compared to: "a lioness"
"sister of the spotted, bright,
quick, fiery leopard" "her fine eye
had the look of a merlin''s"
Emotion shown as a strength rather than
feminine weakness: Shirley's heart
described as 'like a shrine for it was holy,
like snow for it was pure, like a flame for it
was warm, like death for it was strong.'
Distinction made between
'women' and 'angels':
"Shirley is not an angel,
she is a woman and she
shall live with men."
"I worship her perfections but it is her
faults that nestle her to my heart."
"Rid me of you
instantly - instantly!"
(Shirley challenges
patriarchal institutions
- gives orders to a man
of the church)
BUT purity praised too:
Louise refers to Shirley as a
"stainless virgin."
Acknowledgement of women having an
independent mind: "suppose she had
possessed a thoughtful, original mind ...
would you have left her to court another
woman for her wealth?"
Power seen as the
priviledge of men:
Helstone refers to Shirley
as "Mr Keeldar" and
"Captain Keeldar"
Caroline wants to work:
"I long to have something
absorbing and
compulsory to fill my head
and hands."
"Men ... fancy women's
minds something like
those of children. Now
that is a mistake."
MARRIAGE
Shirley places
importance of
equality in
marriage
"I do not ask you to take
off my shoulders all the
cares and duties of
property; but I do ask you
to share the burden"
Criticises Moore for
treating marriage as a
business transaction
rather than an act of
love: "You spoke like a
brigand who
demanded my purse,
rather than a lover who
asked my heart."
Importance of male role
as a protector
acknowledged (within
reason)
"I have tamed his lioness and I
am her keeper." (women like
Shirley need protecting from
themselves)
"A tyrant would not
hold me for a day ... I
would rebel ... break
from him ... defy him."
Not always the Christian ideal
"I had too recently
crawled from under the
yoke of a fine gentleman -
escaped, galled, crushed,
paralysed, dying."
Insufficient laws to protect women in
marriage: "They were powerless as a
rotten bulrush to protect me."
Sypmson sees marriage as an
opportunity to hand over
responability of a woman: 'he
anxiously desired to see his
niece married ... to give her in
charge to a proper husband and
wash his hands of her forever.'
Acknowledgment that marriage means
a certain loss of freedom: 'Thus
vanquished and restricted , she pined'
Remaining a spinster
can be preferable: "In
the sight of her maker,
Mary Ann Ainley ... is
fairer and better than
either of you."
Shirley:
"before I marry,
I am resolved
to esteem - to
admire - to
love."
MOTHERHOOD
Presented as the ideal: 'the
natural affection of her child
came over her suavely: her
frost fell away ... she grew
smiling and pliant.'
Women meant to take pride
in the feminine sphere: "its
brilliant cleanliness and
perfect neatness are so
much to your credit."
Sypmson represents
misogynistic attitudes: "too
much freedom for your years
and sex."
'Lady Windemere's
Fan' - Wilde
Men and women judged with
different principles
Women outcast by having an affair:
Mrs Erlynne refered to as "That
woman." But seen as
normal/acceptable for men: "this little
aberration of Windemere's" " Just
take him abroad."
This position as an outcast what leads her to
blackmail Lord W: "there is no depth of
degradation I will not sink to."
It's the woman who pays the price
of her husband having an affair:
"You don't feel anything. I feel
stained, utterly stained."
The man who holds the
power in the relationship -
Lady Windemere has to
cut into the bookto find out
the truth.
MARRIAGE
Deceit is an integral part of
marriage: Lord and Lady
Windemere are reunited in the
final act but they are both
concealing secrets (Lord W=
identity of Mrs E, Lady W=plans
to elope with Lord Darlington)
Irony - it would have been better for
Lady W to think that her husband
was having an affair than to realise
Mrs E was her mother (preferable to
maintain the stainless image of her
mother)
Challenge to society's views of
the 'fallen woman' - we see Lady
W's views change from "women
who have committed what the
world calls a fault should never
be forgiven" to calling Mrs E "a
very good woman."
MOTHERHOOD
Lady W persuaded to return home
when Mrs E tells her "your place is
with your child" BUT in contrast
Mrs E declares she has "no
ambition to play the part of a
mother" as maternal feelings
"made me suffer too much."
Mrs E's decision makes her a
female version of Lord
Darlington - same behaviour not
acceptable for men and women