[blank_start]Gledhill[blank_end]: "Difference between [blank_start]genres[blank_end] meant different [blank_start]audiences[blank_end] could be [blank_start]indentified and catered[blank_end] to... this made it easier to standardise and [blank_start]stabilise production[blank_end]" Market [blank_start]segregation[blank_end]
Responda
Gledhill
genres
indentified and catered
stabilise production
audiences
segregation
Questão 2
Questão
[blank_start]Derrida[blank_end]: "A text cannot belong to no [blank_start]genre[blank_end], it cannot be without... a genre. Every text [blank_start]participates[blank_end] in one or several genres, there is no [blank_start]genreless[blank_end] text"
Responda
Derrida
Swales
Neale
Gledhill
Barthes
Propp
Gaudet
genre
library
video store
Male
genreless
hopeless
motherless
homeless
participates
simulates
joins
Questão 3
Questão
Swales claims genres are what?
Responda
Friendship Groups
Family Resemblances
Politicians
A conspiracy theory
Questão 4
Questão
[blank_start]Barthes[blank_end]: It's in relation to other texts within a [blank_start]genre[blank_end] rather than lived [blank_start]experience[blank_end] that we makes [blank_start]sense[blank_end] of certain events within a [blank_start]text[blank_end].
Responda
Barthes
genre
experience
sense
text
Questão 5
Questão
Neale: "Genres are instances of [blank_start]repetition[blank_end] and [blank_start]difference[blank_end]"
"Difference is absolutely [blank_start]essential[blank_end] to the [blank_start]economy[blank_end] of a genre"
Just [blank_start]repetition[blank_end] would not attract an [blank_start]audience[blank_end]
Responda
repetition
lions
motifs
recognisable icons
difference
motifs
similarity
sheep
essential
unnecessary
unhelpful
ridiculous
economy
political party
audience
evolvement
repetition
motifs
recognisable icons
audience
alaskan bull worm
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