Changing the way you learn

Question 1

Question

'Sexual possession of the female is characteristically equated with territorial acquisition'

Answer

DAVIS
VAN EMDEN
DRAPER
GORTON

Question 2

Question

'His masculinity of expression'

Answer

DAVIS
VAN EMDEN
DRAPER
GORTON

Question 3

Question

'sexualised vision Donne puts forward in his poetry'

Answer

DAVIS
VAN EMDEN
DRAPER
GORTON

Question 4

Question

'Coterie poems were written as performances'

Answer

DAVIS
VAN EMDEN
PEBWORTH
GORTON

Question 5

Question

'Donne's contradictoriness... bespeaks a penchant for bravura, virtuosic performance'

Answer

DAVIS
VAN EMDEN
DRAPER
PEBWORTH

Question 6

Question

'Intensely lived reality of voice'

Answer

VAN EMDEN
DAVIS
PEBWORTH
DRAPER

Question 7

Question

'The spontaneity and linguistic surprise that characterises his best wrought lyrics'

Answer

PEBWORTH
VAN EMDEN
DRAPER
LEWIS

Question 8

Question

'able to synthesize the essence of drama into his work'

Answer

LEWIS
VAN EMDEN
DYSON/LOVELOCK
CAREY

Question 9

Question

'as readers we are cast into the role of the audience'

Answer

LEWIS
PEBWORTH
LARSON
DAVIS

Question 10

Question

THCM 'conveys a mood of majestic endurance that innovatively explicates the 'Carpe-Diem' motif

Answer

LARSON
VAN EMDEN
DYSON/LOVELOCK
DAVIS

Question 11

Question

TSR 'the argument is provocative, given the sun's normal role as a King of the heavenly bodies... and even blasphemous'

Answer

DYSON/LOVELOCK
DAVIS
PEBWORTH
VAN EMDEN

Question 12

Question

TSR 'It is because she moves him to this dramatic urgency that we know her influence... her value is his veneration'

Answer

DYSON/LOVELOCK
PEBWORTH
GORTON
DRAPER

Question 13

Question

TSR 'The poem's strange power is to cancel, or transcend, or to mock the obvious'

Answer

DYSON/LOVELOCK
LEWIS
DAVIS
DRAPER

Question 14

Question

'a question gender criticism raises is how far the love poetry of Donne is written for women at all, or whether its written for other male members of his coterie'

Answer

WILLMOTT
DYSON/LOVELOCK
GORTON
DRAPER

Question 15

Question

'Donne treats argument not as an instrument for discovering truth but as a flexible poetic accessory'

Answer

CAREY
GORTON
DRAPER
VAN EMDEN

Question 16

Question

'We are almost always aware of where Donne's speakers are'

Answer

GORTON
DRAPER
PEBWORTH
DYSON/LOVELOCK

Question 17

Question

'The lovers confidence is a kind of courage'

Answer

GORTON
DRAPER
DYSON/LOVELOCK
VAN EMDEN

Question 18

Question

'Donne's poetry plays on the uncertainties of the time'

Answer

GORTON
DRAPER
DYSON/LOVELOCK
VAN EMDEN

Question 19

Question

'We feel the conflict between space and time as a premonition of failure or decline'

Answer

GORTON
CAREY
DYSON/LOVELOCK
DRAPER

Question 20

Question

TSR 'Our pleasure in the imaginative power of the lover is undercut by our knowledge of the sun's unstoppable passage'

Answer

GORTON
DYSON/LOVELOCK
PEBWORTH
DRAPER

Question 21

Question

'Colloquial immediacy and freedom from metrical regularity'

Answer

DYSON/LOVELOCK
DRAPER
CAREY
DAVIS

Question 22

Question

'Donne satirises worldlings and makes fun of the besotted lover'

Answer

DRAPER
DYSON/LOVELOCK
GORTON
VAN EMDEN

Question 23

Question

'The poem as a vehicle of persuasion'

Answer

DRAPER
GORTON
DYSON/LOVELOCK
PEBWORTH

Question 24

Question

TSR 'The opening is a deliberate downgrading of the aubade, or dawn-poem, inversion of hierachal associations of the sun with virtue, kingship and authority'

Answer

DRAPER
DYSON/LOVELOCK
VAN EMDEN
DAVIS

Question 25

Question

'intellectual rigour which characterises Donne's poetry'

Answer

DRAPER
DYSON/LOVELOCK
VAN EMDEN
LARSON

Question 26

Question

'His commitment to reason is fundamental... his poetry employs a linguistic mode dedicated to the arts of argumentative persuasion'

Answer

DRAPER
DAVIS
PEBWORTH
GORTON

Question 27

Question

TSR 'a poem of conversation and wild, joyful hyperbole'

Answer

VAN EMDEN
DYSON/LOVELOCK
PEBWORTH
DAVIS

Question 28

Question

TSR 'The poet's ecstatic happiness is expressed in wild exaggeration to the point of self-mockery'

Answer

VAN EMDEN
DRAPER
DAVIS
WILLMOTT

Question 29

Question

NUSLD 'gives sense of total loss both intellectual definition & emotional intensity'

Answer

VAN EMDEN
DRAPER
GORTON
CAREY

Question 30

Question

NUSLD 'The poem begins quietly w/ heavy stresses, slow movement & repetition which produce a sense of deep melancholy'

Answer

VAN EMDEN
DYSON/LOVELOCK
PEBWORTH
GORTON

Question 31

Question

THCM 'The range of emotions & evocative power makes the poem one of the greatest expressions of basic opposition of human life; love versus death'

Answer

CAREY
VAN EMDEN
DAVIS
PEBWORTH

Question 32

Question

'Donne's famous roughness & irregularities of rhythm are a part of his profession of masculinity of language'

Answer

DRAPER
VAN EMDEN
DAVIS
LEWIS

Question 33

Question

NUSLD 'A fine, tender expression of love in the form of a meditation for nocturn'

Answer

WILLMOTT
COLES
DAVIS
PINSENT

Question 34

Question

NUSLD 'The speaker is lying on the bed, so drained of life, he seems to be the 'epitaph' for the general interment of the world'

Answer

COLES
RUMEN
DYSON/LOVELOCK
DRAPER

Question 35

Question

TF 'a witty attempt of a lover to convince his lady to be in his body as well as spirit'

Answer

PINSENT
COLES
DAVIS
DRAPER

Question 36

Question

TF 'The speaker is involved in a dramatic dialogue with his mistress, where she is given the opportunity to answer back, though her replies are inaudible to us'

Answer

PINSENT
RUMEN
VAN EMDEN
WILLMOTT

Question 37

Question

TF 'The stanza is linked to the movement of the action between persona and the implied participant'

Answer

PINSENT
COLES
WILLMOTT
DRAPER

Question 38

Question

BMH '14 verbs, dominated by command... introduce us to a sphere of powerful emotional activity'

Answer

DAVIS
RUMEN

Question 39

Question

'climactic sexuality of the sestet'

Answer

COLES
DAVIS
RUMEN
PINSENT

Question 40

Question

BMH 'he relishes the idea of being manned'

Answer

DAVIS
COLES
GORTON
DRAPER

Question 41

Question

THCM 'Time is bearing down, and with it the entire weight & fury of the patriarchal tradition'

Answer

WILLMOTT
VAN EMDEN
DRAPER
DYSON/LOVELOCK

Question 42

Question

THCM 'Time is bearing down, and with it the entire weight & fury of the patriarchal tradition'

Answer

WILLMOTT
VAN EMDEN
DRAPER
DYSON/LOVELOCK

Question 43

Question

THCM 'Marvell takes the conventional plea to new heights of imaginative wit'

Answer

COLES
RUMEN
DAVIS
PINSENT

Question 44

Question

THCM 'The lightly teasing tone, the easy fluidity of the argument'

Answer

RUMEN
DRAPER
PINSENT
WILLMOTT

Question 45

Question

THCM; 'He reflects the earnest dream of every lover; timelessness'

Answer

RUMEN
DRAPER
PINSENT
WILLMOTT

Question 46

Question

THCM 'Marvell's poem, in its listing of the parts of the mistress' body to be praised is dismemberment comparable to a doctor's dissection'

Answer

WILLMOTT
PINSENT
DYSON/LOVELOCK
COLES

Question 47

Question

THCM 'In a world where riches were for male possession, it seems reasonable to assume the female reader may have had a cynical view of imagery which equates the woman with wealth'

Answer

WILLMOTT
COLES
DRAPER
PINSENT

	Created by erat_5 over 10 years ago

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