Zusammenfassung der Ressource
MUSIC
- Theories and Concepts
- reinterpretation
- Assimilation
- Camoflage
- Transculturation
- Zone of cultural
interaction
- Not a universal language
- Alan Merriam's model
- All music has musical
elements, but the
configuration depends on
country and culture.
Product of human
behavior, which varies
from culture to culture.
Best understood in the
context it was created
- Classification
- China: materials
Victor Mahillion:
materials Curt
Sachs& Eric van
Hornbostel: sound
production
- Curt Sachs & Eric van Hornbostel : Sound production
- Organology
- membranophone
- Aerophone
- Idiophone
- Chordophone
- Fiddle: bowed
- Harp: plucked toward person
- Lute: held in front
- Lyre: plucked side to side
- Zither: plucked horizontal
- Sonic Level
- Pitch (Rate of vibrations per sec)
- Note (visual rep of pitch)
- Interval (Distance b/w notes/pitches)
- Melody (organization of pitches)
- Harmony (2 or more pitches @
the same time) aka texture
- Organum: earliest form, parallel
- Homophony: same sound moving together
- Polyphony: moving independently
- Heterophony: two or more melodies at once
- Temporal Level
- beat (smallest=pulse. crossing soundwaves)
- meter (reg division of time
- tempo
(speed)
- Rythmis pattern/
standard pattern/
timeline pattern
- MIDDLE EAST/ARABIC
- islam 621AD, istanbul= gateway for culture spread
- MELODIC IMPROVISATION & ORNAMENTATION
- produces a "linear" harmonic texture
- Classical
- Chordophone
- NASAL quality
- melodic (improv and be creative as possible)
rhythmic (creative w/n diff beats) ABA Structure
- composed on the spot, not written down
- Maquam
- Folk
- Aerophones
- learned, not improvised.
For/By common folk for
dancing
- call to prayer
- minerits
- Instruments
- Ud: Lute (bent neck)
11 strings eagle
feather, no fret
- Saz: Lute (frets) 7
strings, plucked
with pick
- Santur: Zither, half
hexagon, 4per
pitch, mallets
- Qanun: zither,
metal picks on
fingers, trapezoid
- Cymbalum: Zither,
like piano, mallet
- Rebab: fiddle, 2
strings, bow, no fret
- Zuma: aerophone,
double reed,
classical and
musical,
- Darabuka:
membranophone,
single head,body is
decorated, single
wood/clay
- AFRICA
- geography
- Pan-arabic Empire
- Sudanic Belt
- Bantu World
- Sahel
- border, ex-french colonies,
climate >14in of rain
- name changes
- burkina faso = upper volta
- ethipia = abissini, punt
- Cen afr = bangui shari
- malawi = nyassaland
- zimbabwe = rhodesia
- rep of nambia = south west africa
- free state of congo =
belgium congo =
dem rep of congo =
zaire = dem rep of
congo
- People
- Nilotics
- Pigmies
- twa
- Bushmen and huttentots
- Languages
- tonal
- Syntax
- Symantics
- Anglophone (eng)
Frencophone (Fre)
Lusophone (Por)
- belonging
- INSTRUMENTS
- bow
- materials available and lifestyle
- Mbira (Sanza) thumb on metal bars
- xylophone
- idiophone
- slit drum, log drum, speech mode
- agoga, double bell
- chordophone
- ngoni: lute, West Africa, 5-6 strings
- kora: harp, 21 strings, plucked,epics, JALI families
- Inanga: zither, trough
wit one string
wrapped around to
form 7-9 strings, epics,
message
- Krar: lyre, 5-7 strings
hide rings for tuning,
east africa
- Aerophone
- ephant tusk, ashante of ghana
- membranophone
- dundun: both hands,
bent drum stick,
speech mode,
NIGERIA, 2 headed
- Atumpan: ashante of ghana,
speech mode, ensemble
- MUSIC
- call & response
- parallel harmonic texture (organum)
- entertainment, record history, in place for spoken language
- interlocking (hindehou)
- AMERICA
- portuguese and holland majority of slavery to america
- culture spread
- religion
- sudanese: anyone welcome,
brought in songs, renewal
movement
- bantu: deities
- secular
- capoeira:self defense with music