Zusammenfassung der Ressource
Bernstein - 'Somethings coming'
- Texture
- Homophonic
- Three main ideas
- 1. Repeated riff (opens the song)
- 2. Short, syncopated chords (bars 21-26)
- fast, um-ch accompaniment (first heard bar 32 'me')
- Harmony and Tonality
- Harmony
- Tonal
- jazz-influenced
- frequent 7th chords
- added note chords
- Sharpened fourths
- creates a tritione
- flattened sevenths
- toner's last note
- sense of incompletion
- Rhythm, Metre and Tempo
- metre - 3/4 and 2/4
- fast tempo, syncopation and change in metre
- Gives a feel of excitement and anticipation
- Cross rhythms
- accompaniment made of: on-beat bass part with off-beat chords
- Structure and Melody
- syllabic
- three main themes:
- 1. Quiet, syncopated opening theme
- 2. Loud, strident theme 2/4, first heard bar 21
- 3. Lyrical, slow moving theme, first heard bar 73
- Varies the themes
- changes words and metre
- Themes are alternated
- repetitions are not exact
- Instrumentation
- solo tenor
- accompaniment: Woodwind, Brass, Percussion and strings
- Quiet dynamics
- soft timbres
- Homophonic texture
- 'air is humming'
- strings us harmonics
- tremolo
- West Side Story
- composed: 1957
- set in New York
- Rival gangs: Jets and Sharks
- Tony and Maria are in Love
- 'Something Coming' is Tony's first solo
- Musicals
- Plays except a lot of it is sung in a popular style by actors
- developed in the 1920's
- Leonard Bernstein
- American
- Composed 'West Side Story'
- Take inspiration from rhythms and harmonies of 20th century classical music and jazz