Zusammenfassung der Ressource
Post-Classical Cinema
and Digital Apocolypse
- Both CGI and photographic
footage as 'real'
- The viewer connects to what is
shown on-screen regardless of
where is originates from
- As long as it is visually credible (Prince)
- Opposing views of
framing reality
- "those directors who put their
faith in the image and those who
put their faith in reality" - Bazin
- Dependant on the filmic
and directorial style
- Italian Neorealism
- German Expressionism
- James Cameron, Christopher
Nolan, Steven Spielberg
- Francis Ford Coppola,
Vittorio De Sica
- The creation of new
worlds using CGI
- Do they need to be based
on reality to be realistic?
- Is it any less believable?
- Manipulating and controlling form to
highten action on an expressive level
rather than a realistic level
- ie. superhero
movies/action films
- Does it make it less believable
the less 'real' it is?
- Focus on the
spectacular visuals
- Does this detract from the
narrative importance? Or is
there a balance?
- Idea that technology
destroys the narrative story
- More about the weakness of
the story than the strength
of the technology
- CGI films as 'virtual reality'
- Associations with CGI as
computer-generated spectacle
vs serious, realistic films
- Photographic films as
exploring a self-awareness
within the audience
- CGI films as purely surface
level awareness, focused on
the phenomenal
- Is 3D more immersive
and therefore more
realistic?