Zusammenfassung der Ressource
Texts on betrayal (not yet finished)
- Betrayal Harold Pinter
- The play is in reverse chronological order and depicts the affair between Jerry and Emma, both of whom are married
- Act 1 scene 1 depicts the awkward reunion between the couple
- Incredibly uncomfortable conversation shown through the use of monosyllabic lines
- 'Yes'
- Constant use of stage directions throughout that simply state 'Pause'
- Still a sense of similairty between them and social protocal
- 'you remember the form I ask about your husband, you ask about my wife'
- Later one scene depicts Emma going to meet Jerry after her husband had disocvered the affair
- Realtionship between them greatly contrasts to the beginning more love between them
- 'How do I look?// Beautiful'
- Final scene/ act of the play depicts how the affair began
- Jerry seems to dominate the dialogue and is given a variety of stage directions
- 'He watches her' 'He holds her' 'He kisses her'
- Jerry is incredibly flattering towards Emma
- You're incredible'
- Incredibly forward
- 'I should have had you in your white'
- Jerry uses incredibly hyperbolic language
- 'I can't ever sleep again' 'I won't walk' 'ill be a cripple' 'i'll descend'
- In this play at the beginning it presents lost love and the
awkwardness between the couple, while the end depicts love as all encomapssing
- Porphyria's Lover Robert Browning 1836
- Dramatic monologue depicting
the death of his lover, they often
reveal more about the speaker
than orginially intended
- Rhyme scheme is ABABB showing the narrator's
state of mind as the poem is repetitive in its
rhyme scheme but asymmetrical showing a
chaotic mind also written in Iambic tetrameter
- Beginning of the poem presents a storm while the lover remains in the cottage safe from the storm
- Storm seems to be foreshadowing the events that shall take place
- 'Sullen wind'
- 'tore the elm tops'
- 'its worst to vex the lake
- Similar to the pathetic fallacy/ foreshadowing used in popular mechanics
- Narrator presented as almost obssessive depicting every movement she makes as well as all her features
- 'smooth white shoulder'
- 'yellow hair displaced'
- 'she rose'
- 'Laid her soiled gloves'
- 'let the damp hair fall'
- 'Three times her little throat around. And strangled her'
- Context highly sexualised poem for the
victorian era and would have been
particularly shocking for the reader
- Presents as obssession through death her love is immortalised