Zusammenfassung der Ressource
Schoenberg: Der Kranke Mond
(Pierrot Lunaire)
- Context
- Expressionism: early 20th
century development in music,
art, drama and literature
- distorted images in paintings
- heightened speech
- scenes of extreme
violence in plays
- non-naturalistic colours
and textures
- extreme
chromaticism and
dissonance in
music
- Pierrot Lunaire
- most famous
expressionist
work of
schoenberg
- a melodrama- type of dramatic work with spoken
words recited to music. Often described as a musical
theatre piece
- Text: german adaptation of a cycle
of 50 poems by Albert Giraud in
1884
- first
performance
in
Berlin
- a collection of 21 french
poems, the 7th piece
- October 1912
- Sprechesang
- composer directions: rhythms are to be strictly
observed but pitches: either sing sustained pitches
with portamenti reserved for slurred notes or give
approximate of pitches with portamenti between
notes
- german translates as spoken singing
- Tonality and Harmony
- Atonal
- All 12 chromatic notes in first 3 bars
- Within first 6 bars every
possible interval played
- Chromatics
- Extreme dissonances
- no functional harmonies
- no cadences
- no chords, or progressions
- Melody
- Unrelated flute and vocal part- share no
melodic material or harmonic functions
of each other
- Angular, disjunct intervals
- Unpredictable leaps and semitone movement
- No phrasing
- Imbalanced
- abrupt changes of direction
- extreme dynamic range
- Structure
- No traditional or formal structure.
- Text: 3 stanzas in lines of 8
- Music cannot be structured- madness of
clown is conveyed through lack of
structure