Zusammenfassung der Ressource
Frage 1
Frage
The classic perfect cadence is ii7b V I
Frage 2
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The Tenor part must always carry the dissonance
Frage 3
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The leading note should always fall to the third of the tonic.
Frage 4
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The gap between the tenor and bass should be small
Frage 5
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You should try to move the outer parts in contrary motion
Frage 6
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Semiquavers should be used as passing notes
Frage 7
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In a Ib chord you should always double the fifth
Frage 8
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A good chord progression to use at imperfect cadences is I Ic V
Frage 9
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Dissonances must be prepared, sounded and resolved
Frage 10
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The leading note can leap to the third when unable to resolve to the fifth
Frage 11
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When using a cadential 6/4 (Ic V I) you must treat the fourth above the bass as a dissonance
Frage 12
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In a V7 chord, the seventh must always be prepared
Frage 13
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The seventh must always fall
Frage 14
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It is a good idea to use viib I at the final cadence
Frage 15
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Always use a tiecre de picardi to finish a chorale when in a minor key