1246774
Beschreibung
Karteikarten von pressey_property, aktualisiert more than 1 year ago
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Erstellt von pressey_property
vor etwa 10 Jahre
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| Frage | Antworten |
| Generally the taper shear-over-comb technique is used for: a. blending b. removing bulk c. length reduction d. outlining the perimeter | A. Blending |
| In a fade, the shortest lengths are usually positioned: a. in the lowest zone b. in the highest zone c. at the front hairline d. throughout the design | B. At The Lowest Zone |
| In combination forms, the head is sectioned relative to the desired changes in line, shape and: a. angle b. structure c. length guides d. finishing direction | A. Angle |
| The structure of a hair design can best be seen: a. on wet hair b. on short hair c. in natural fall d. in normal projection | A. On Wet Hair |
| The shape of a hair design describes the: a. texture b. structure c. silhouette d. length arrangement | C. Silhouette |
| Section, position head, part, distribution, projection position finger-shears, and sculpt design line comprise the: a. structure b. four basic forms c. design principles d. Seven Sculpting Procedures | D. Seven Sculpting Procedures |
| The distribution used to sculpt solid forms is: a. 45-degrees b. natural c. directional d. perpedicular | D. Perpendicular |
| The surface texture of a hair design can best be seen: a. on long hair b. on curly hair c. in natural fall d. in normal projection | B. On Curly Hair |
| Sculpture transformation is about changing the hair's: a. length b. surface texture c. shape and structure d. shape, surface and structure | D. Shape, Surface, And Structure |
| The placement of volume within a hair design is also known as: a. weight b. direction c. activation d. surface texture | D. Surface Texture |
| To refine the form in a shear-over-comb technique, designers use a: a. tail comb b. large comb c. small comb d. wide-tooth comb | C. Small comb |
| Natural, perpendicular, shifted and directional are all different types of: a. sectioning b. distribution c. length guides d. parting patterns | B. Distribution |
| When increase layers are sculpted over a solid for, the overall texture is: a. short b. rounded c. activated d. unactivated | D. Unactivated |
| The angularity of a planar form can be more or less evident depending on the: a. head position b. styling direction c. distribution used d. sectioning pattern | D. Sectioning Pattern |
| The type of design line that establishes more weight is known as: a. mobile b. vertical c. stationary d. directional | C. Stationary |
| The palar sculpting technique results in a form that appears to be: a. oval b. rounded c. triangular d. rectilinear or square | D. Rectilinear or Square |
| The base is usually texturized in short- to mid-length forms to create: a. mobility b. lift and volume c. soft end texture d. chunky end texture | A. Mobility |
| Sculpting one form in one component area and another form elsewhere in the design refers to sculpting a: a. basic form b. long sculpture c. combination form d. a similar structure throughout | C. Combination Form |
| Razor etching should be done on hair that is: a. dry b. layered c. very fine d. evenly damp | A. Dry |
| Refer to pg 4 for image questions in haircutting 2 chapter | Not able to upload images |
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