Key Works Contemporary Midterm

Frage	Antworten
Image: Screen Shot 2019 03 06 At 12.28.05 Pm (binary/octet-stream)	Jackson Pollock, No. 1, 1948, oil on canvas.
Image: Screen Shot 2019 03 06 At 12.29.20 Pm (binary/octet-stream)	Shiraga Kazuo, CHALLENGING MUD, 1955, performance. Image: Screen Shot 2019 03 06 At 12.29.31 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 12.37.19 Pm (binary/octet-stream)	Guy Debord, THE NAKED CITY, 1957, color psychogeographical map on paper.
Image: Screen Shot 2019 03 06 At 12.37.57 Pm (binary/octet-stream)	Asger Jorn, PARIS BY NIGHT, 1959, oil on reused painting.
Image: Screen Shot 2019 03 06 At 12.38.29 Pm (binary/octet-stream)	Allan Kaprow, 18 HAPPENINGS IN SIX PARTS, 1959, performance. Image: Screen Shot 2019 03 06 At 12.38.37 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 12.38.56 Pm (binary/octet-stream)	Robert Rauschenberg, RETROACTIVE 1, 1964, oil and sikscreen on canvas.
Image: Screen Shot 2019 03 06 At 12.46.00 Pm (binary/octet-stream)	Richard Hamilton, WHAT IS IT THAT MAKES TODAY'S HOMES SO DIFFERENT, SO APPEALING?, 1956, collage.
Image: Screen Shot 2019 03 06 At 12.46.42 Pm (binary/octet-stream)	Claes Oldenburg, THE STORE AT RAY GUN, 1961 &1962, mixed media. Image: Screen Shot 2019 03 06 At 12.46.51 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 12.47.46 Pm (binary/octet-stream)	Andy Warhol, 1947-WHITE (NEWS EVENT: DISASTER SERIES), 1963, silk screen ink and graphite on linen.
Image: Screen Shot 2019 03 06 At 12.53.18 Pm (binary/octet-stream)	Frank Stella, DIA FAHNE HOCH! [RAISE THE BANNER!], 1959, enamel on canvas.
Image: Screen Shot 2019 03 06 At 12.53.41 Pm (binary/octet-stream)	Donald Judd, UNTITLED, 1969, galvanized iron and Plexiglas. Image: Screen Shot 2019 03 06 At 12.53.50 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 12.54.16 Pm (binary/octet-stream)	Robert Morris, UNTITLED (MIRRORED CUBES), 1965-1971, Plexiglas mirrors and wood.
Image: Screen Shot 2019 03 06 At 1.00.50 Pm (binary/octet-stream)	Joseph Kosuth, ONE AND THREE CHAIRS, 1965, wood folding chair, mounted photograph of a chair, and a photographic enlargement of a dictionary definition of "chair".
Image: Screen Shot 2019 03 06 At 1.01.49 Pm (binary/octet-stream)	Carolee Schneemann, INTERIOR SCROLL, 1975, performance. Image: Screen Shot 2019 03 06 At 1.02.01 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 1.02.29 Pm (binary/octet-stream)	Valie Export, SQUAT ON, 1972, black and white photograph, vintage print, and India ink.
Image: Screen Shot 2019 03 06 At 1.02.50 Pm (binary/octet-stream)	Julie Chicago, THE DINNER PARTY, 1974-1975, ceramic, porcelain, and textile.
Image: Screen Shot 2019 03 06 At 2.25.26 Pm (binary/octet-stream)	Robert Smithson, THE SPIRAL JETTY, 1970, Rozel Point, Utah, rock, salt crystals, earth, and water.
Image: Screen Shot 2019 03 06 At 2.25.54 Pm (binary/octet-stream)	Christo & Jeanne-Claude, WRAPPED COAST - ONE MILLION SQUARE FEET, SYDNEY, 1968-1969, land art, polypropylene fabric and rope.
Image: Screen Shot 2019 03 06 At 2.26.24 Pm (binary/octet-stream)	Alan Sonfist, TIME LANDSCAPE, 1965/1978 - present, New York City - Greenwich Village. Image: Screen Shot 2019 03 06 At 2.26.35 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 2.27.06 Pm (binary/octet-stream)	Joseph Beuys, I LIKE AMERICA AND AMERICA LIKES ME, 1974, performance. Image: Screen Shot 2019 03 06 At 2.27.15 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 2.27.48 Pm (binary/octet-stream)	Hans Haacke, SHAPOLSKY ET AL., 1971 , suite of panels with photographs and typed text.
Image: Screen Shot 2019 03 06 At 2.36.17 Pm (binary/octet-stream)	Richard Serra, TILTED ARC, 1981, Federal Plaza, New York, Cor-Ten steel. Image: Screen Shot 2019 03 06 At 2.36.07 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 2.36.44 Pm (binary/octet-stream)	Maya Lin, VIETNAM VETERANS MEMORIAL, 1982, The Mall, Washington D.C., black granite. Image: Screen Shot 2019 03 06 At 2.36.53 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 2.37.20 Pm (binary/octet-stream)	Rachel Whiteread, HOUSE, 1993, concrete, full cast size. Image: Screen Shot 2019 03 06 At 2.37.27 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 2.37.50 Pm (binary/octet-stream)	Bernd & Hilla Becher, COOLING TOWERS, 1972, nine black and white photographs.
Image: Screen Shot 2019 03 06 At 2.38.07 Pm (binary/octet-stream)	Andreas Gursky, CHICAGO BOARD OF TRADE II, 1999, photograph.
Image: Screen Shot 2019 03 06 At 2.38.31 Pm (binary/octet-stream)	Jeff Wall, DEAD TROOPS TALK, 1992, cibachrome photography over lightbox.
Image: Screen Shot 2019 03 06 At 2.49.23 Pm (binary/octet-stream)	Bernhard Heisig, THE UNTEACHABLE SOLIDER'S CHRISTMAS DREAM, 1974-1975, oil on canvas.
Image: Screen Shot 2019 03 06 At 2.49.44 Pm (binary/octet-stream)	George Baselitz, THE GREAT FRIENDS, 1965, oil on canvas.
Image: Screen Shot 2019 03 06 At 2.50.07 Pm (binary/octet-stream)	Gerhard Richter, HANGED, 1988, oil on canvas (from the series October 18, 1977).
Image: Screen Shot 2019 03 06 At 2.50.32 Pm (binary/octet-stream)	Cindy Sherman, UNTITLED FILM STILLS, 1977-1978, black and white photographs. Image: Screen Shot 2019 03 06 At 2.50.42 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 2.51.01 Pm (binary/octet-stream)	Jenny Holzer, TRUISMS, 1977-1979, installation, New York. Image: Screen Shot 2019 03 06 At 2.51.10 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 2.51.33 Pm (binary/octet-stream)	Barbara Kruger, YOUR GAZE HITS THE SIDE OF MY FACE, 1983, photograph and text.
Image: Screen Shot 2019 03 06 At 2.51.51 Pm (binary/octet-stream)	Kara Walker, SLAVERY! SLAVERY!, 1997, cut paper on wall.
Image: Screen Shot 2019 03 06 At 3.00.32 Pm (binary/octet-stream)	Renzo Piano & Richard Rogers, POMPIDOU CENTRE, Paris, 1972-1978. Image: Screen Shot 2019 03 06 At 3.00.50 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 3.01.09 Pm (binary/octet-stream)	Frank Gehry, GUGGENHEIM MUSEUM BILBAO, Spain, 1991-1997.
Image: Screen Shot 2019 03 06 At 3.01.44 Pm (binary/octet-stream)	Jeff Koons, PUPPY, 1992, stainless steel, soil, fabric, irrigation system, and plants.
Image: Screen Shot 2019 03 06 At 3.02.02 Pm (binary/octet-stream)	Damien Hirst, THE PHYSICAL IMPOSSIBILITY OF DEATH IN THE MIND OF SOMEONE LIVING, 1991, tiger shark, formaldehyde, glass, and steel.
Image: Screen Shot 2019 03 06 At 3.02.17 Pm (binary/octet-stream)	Tracey Emin, MY BED, 1998, mattress, pillows, linen, and objects. Image: Screen Shot 2019 03 06 At 3.02.25 Pm (binary/octet-stream)
Image: Screen Shot 2019 03 06 At 3.02.44 Pm (binary/octet-stream)	Matthew Barney, CREMASTER 3, 2002, production still.

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Key Works Contemporary Midterm

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	Erstellt von Gabby Probert vor fast 6 Jahre