Erstellt von keith_milligan360
vor mehr als 11 Jahre
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Frage | Antworten |
-8 bars of intro -2 Quaver horn motif that the choir mimic when they come in. -Relentless triplet upper string accompaniment | -SATB choir (Homophonic texture) -Replicates horn motif -Accented quavers |
-Choir all sing on D (Unison) -Recurrent 3 chord motif interrupts every 4 bars. (Suggests the dominant) | -Homophonic texture -New ostinato (V. similar- only two changed notes) -Horns play chromatic rising scale (Basis of new chordal theme) |
-"Tuba Mirum" theme -Original ostinato -Unison | -Rising sequence (Notes are 3rd apart) -Ending in homophonic falling sequence ending on unison D |
-Polyphonic texture -Syllabic treatment of "Dies" | -All on unison D with sopranos and 1st tenors singing an octave above. |
-Same as part A -Bass line has the chromatic rising sequence that the horns played earlier | -Instrumental section -"Tuba Mirum" theme played by instruments |
-Choir sing unison D -Instrumental bass line changes to chromatic rising scale (Not an ostinato) | The rest is a syllabic treatment of "Dies" |
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